November 30, 2004

BACKGROUND: Cell phone generation - Brazil

Cell Phone Generation

Colorful, sonorous and full of technology. Since they got into the Brazilian market, in a more effective way in the beginning of the of 90Â?s, with the privatization of the telephony sector; mobile phone devices have turned into accessories for children and adolescents. According to a research divulged by Ibope, youngsters from 16 to 24 years old represent a quarter of the users in the eleven largest capitals in Brazil. For many parents, the mobile phone is a symbol of security and control. For the children, a vehicle of communication with the world and a source of entertainment and information.

Â?It is basically a life styleÂ?, completes Rafael Duton, NtimeÂ?s director of Marketing - Brazilian enterprise specialized in Mobile Computation that offers solutions and provides services in the Mobile Cell Telephony field. According to him, besides communicating with friends and relatives, adolescents are willing to have a personalized device, matching their life styles, standards and values.

Marcelo Sales, NtimeÂ?s president, reveals that today there are around 50 million cell phones in Brazil, among which 90% of them allow sending and receiving of text messages (SMS). During the seminar Â?Convergence of ContentsÂ?, promoted by the Institute for the Studies on Television (IETV) in Rio de Janeiro, Marcelo made a quick retrospective on the services that have been offered by the cell phone: Â?In 2002, the device had games. From 2003 on, TV started to make use of it as a means for the interactivity with its spectators. The users were already able to send and receive photos and news as well, download songs, access the internet and take part in chat rooms. For the end of this year and the beginning of 2005, I believe that we will be taking another step forward: cell phones will be sending and receiving multimedia contents - images, animations, videos and music. We are creating a culture of cell phone usageÂ?.

Culture that has been redefining the plans of all segments. José Wilson Fonseca, MTV/Brazil�s marketing director, affirms that the enterprise was �run over by cell phones�, for the demands of the new means of communication. "We had not even been able to solve our interface with internet yet and the mobile phone had already arrived. MTV regards cell phones only as one more communication platform. However a very important one�.

The number of young people that take part in the interactions by cell phone promoted by MTV is quite high. Nowadays, MTV sends and receives messages through cell phones, promotes quizzes (question-answer games) about the musical world and about some programs of the TV schedule. By means of cell phones, the viewer is also able to participate of voting, download screen savers, ring tones and episodes of the carton Â?Paladin VJs Mega LeagueÂ?.

For Andrea Cecília Ramal, the author of the book �Education within Cyberculture�, there is no doubt that mobile cell phone is a symbol of a new generation. �As other technological apparatus, they are technical elements that begin to constitute ourselves as individuals. In a certain way, they begin to take part of our own identity, of our way of being people, today, in a social-technical context�, affirms Andrea, Doctor in Education by the Pontific Catholic University of Rio de Janeiro (PUC-RJ).

New individuals and new relationships between parents and children. In AndreaÂ?s opinion, a natural consequence, fruit of changes that occur in the various ways of knowing, thinking, acting and learning. Â?One of the most characteristic elements of actuality, in this new mediatic age, is the rupture of frontiers of time and space. Communicating today means enjoying a speed never seen. Nowadays communication is just in time, in real time, and the amount of messages is each larger. That, for sure, modifies the relationship between parents and their childrenÂ?.

For Rafael Duton, NtimeÂ?s director of Marketing, any rupture or revolutionary technology, will promote meaningful changes in peopleÂ?s lives. Â?The cell phone is one of these revolutionary technologies, and not only evolutionary, since it creates a new manner of communication, leisure and work. And that is only the tip of the iceberg. In the relationship between adolescents and their parents, the resources of the cell phone that already exist, and others that are to come - as geographical localization -, generate a meaningful and positive broad impactÂ?, he observes.

Rafael goes beyond that. He believes that cell phones are able to and will still be quite used in order to promote digital inclusion to the whole population, as well as in its constituting process of promoting knowledge and values: Â?Still, there has been no significant study on how to use cell services in order to help education of individuals. By means of games, for example, I believe that it might happen. In relationship to digital inclusion, an e-mail address could be created for the exclusive access by cell phone, benefiting the individuals that do not have access to computers and, consequently, to the Internet. A little farther scenario, as cell phones are not available to every citizen yet. Even cheaper devices and the pre paid modality demand a maintenance cost - which is considered an extravagance to a significant amount of the population, in face of the revenue that have. But definitively, it is about new mediaÂ?- he affirms.

Number of cell phone in Brazil
Year Number of devices
1990 667
1991 6,700
1992 30,000
2004 50,000.000
Source - National Agency of Telecommunications (Anatel)

 
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

Media Education in Malta


Church schools in Malta have been teaching media education at the primary level and secondary level as part of their regular curriculum since October 1981. It is formally taught in Grades 4, 5 and 6 of the Primary level (ages 8 to 10) and Forms 1 and 2 of the secondary level (ages 11-12).
 
The programme builds on the belief that media usage:

- Is an enjoyable experience for children. They should be helped to analyse the root of their enjoyment, assess it critically and enhance it.
- The childrenÂ?s citizenship credentials of the audiovisual civilization in some areas tend to be stronger than that of their teachers. When teachers look at students as hopeless victims or blotting papers they are oversimplifying and making a superficial assessment of a complex situation. A non-directive or problem posing approach should be adopted. The teacher takes the role of a facilitator and elder seeker.
- The media should be for the service of the human person and not vice versa. As a consequence the user should change from a passive consumer to an active media partner.

The programme has four aspects:

Formal aspect: Familiarise students with the conventions of the language of different media. As a result students will be able to "read" the media.

Content aspect: Students will be helped to assess critically the message that the media present and be able to judge the values and life styles portrayed.

Societal and organizational aspect: Students learn that media messages are produced by organizations with definite ownership structures and which operate according to particular production techniques. These organizations work within a society which influences the media while it is itself influenced by the media.

Production aspect: Students are helped to "write" with the media by being given the possibility and the opportunity to express themselves through their own productions.

In order to help teachers and students three workbooks, written by Sr Riches Grech are used in the primary level. In these workbooks information is intentionally held to a minimum while practical activities are emphasized.

For Form One of the secondary level Fr Joseph Borg and Dr Mary Anne Lauri have just written Exploring Media Languages. This book emphasizes the formal and production aspects of TV, the cinema, newspapers, radio and the Internet. They are now working on the book for Form 2 which will emphasize the societal and organizational aspects and the contents aspect. This takes the place of their book "Media Studies" which had been used for a number of years.

Fr Joseph Borg: joseph.borg@um.edu.mt
Dr. Mary Anne Lauri: mary-anne.lauri@um.edu.mt
 
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 29, 2004

ARTICLES: Beware parents: Some video games not for kids

Beware parents: Some video games not for kids
By: Robert Cristo , The Record

It may be hailed as one of the most innovative and popular video games to date, but media watchdogs are warning parents to think twice before placing the sexually explicit and ultra violent Grand Theft Auto: "San Andreas" adventure under the tree for their children this holiday season.

The days of kids writing to Santa Claus for straightforward presents like board games, train sets and remote control cars has long been replaced by a wish list of more ambiguous little boxed gifts of software that fail to reveal what's inside unless some investigation is done by the parent.
In recent years, the multi-billion video game industry has quite simply taken over the hearts, minds and imaginations of children and adults alike, and has morphed into one of the biggest players in the holiday season shopping binge with consumers snapping up hundreds of titles at around $50 a pop.
One of those games is the third installment on the Playstation II console of the mature-rated pop culture phenomenon known as Grand Theft Auto: "San Andreas" (GTO) adventure game. Over the past three years the game has taken in more than $32 million, but has also been listed as one the "worst games of the year" for its offensive violence by the National Institute on Media and Family.
"Just because it's a game doesn't mean it is OK for kids to play anymore," said Dr. Doug Gentile, the institute's director of research and a psychology professor at Iowa State University. "The aggressive violent tones and explicit sexual nature of games like Grand Theft Auto are nothing like parents remember when they played innocent games like Asteroids, Pac-Man and Space Invaders."
The highly realistic adventure game is admired for its realistic graphics depicting fully rendered cities a player can drive, swim, walk, fly (a plane) in, while also interacting with numerous characters while walking down the street.
A player can even gamble at a casino, parachute out of an airplane, bet on the horses, work-out at a gym, buy stylish clothes, take photographs, listen to radio stations as they drive, watch a sunset on the beach, eat a pizza, get a haircut or a tattoo and even become an ambulance driver or a firefighter.
While there might be innocent and admirable qualities to the game, critics call GTO the poster child for unbridled video-game violence and overt sexual themes that should never get into the hands of a child.
The game begins in a Los Angeles-type city that is still crippled by the crack-cocaine, gang-related drug wars of the early '90s. It puts the player in the shoes of an African American character who vows to avenge the murder of his mother while also restoring glory to his neighborhood gang.
Sounds innocent enough, but once a player gets started he or she has the ability to gun down police, commit car jacking where the player punches the driver in the face and pulls him out of the car, burglarize homes, lead drive-by shootings, shoot and kill innocent people and take their money, use foul language and pick up prostitutes.
Players can actually ride up to the sidewalk, beep their horns and lure a prostitute into their car and then drive off and find a quiet spot to park.
Once parked, a player never actually sees a sexual act performed (as you can't pick up a prostitute in a convertible) but from the outside of the car a player can see the car shake, hear the woman making noises, the health meter go up as the player's cash amount goes down.
After the implied act is completed the player can get out of the car and beat up the prostitute to get his money back.
A study conducted by Gentile of fifth graders playing violent video games like GTO at the beginning of the school year found that by the end of the year, the students were behaving more aggressively than students who weren't interacting with the software.
Members of the Interfaith Center on Corporate Responsibility (ICCR) are looking to alert "unwary" parents to the "blood-soaked" and "anti-social" content of the game. They believe parents are faced with "confusing" advertising and "vague, poorly" promoted ratings systems for videogames like GTO and others with mature content.
"While I doubt that many parents or grandparents would deliberately put a copy of Grand Theft Auto in the hands of a pre-teen, it is all too easy to see how that could happen," said Sister Pat Wolf, executive director of ICCR.
Dr. Martha Burk, president of the Center for Advancement of Public Policy, said video game retailers "must commit" to keeping video games with graphic violence or strong sexual themes away from games more palatable for children.
"Too many newspaper ads today mix in the videogames for toddlers with ones no child should see," said Burk, who added that websites give away free children's items with games considered more for adults. "That makes the violent video games seem like something designed for kids."
National video game retailers like Electronics boutique (EB games) and some members of Congress say the best guide for parents to determine if the game is right for their kids is the Entertainment Software Ratings Board (ESRB)
The rating is usually on the bottom left-hand side of the game box and goes from rated "E" for everyone, "T" for teen or "M" for adults. GTO is rated "M" for 17-year olds and up. There is also an AO (adults only) rating that many people believe GTO should fall under, because it would then keep high school seniors from legally purchasing the game.
As it stands now, video game retailers are not required by law to ask for identification of the purchaser, but come Dec. 31 it will be as part of a national agreement last year in Washington.
"In New York state, most retailers have already enforced it, but after Dec. 31 nobody under 17 will be allowed to purchase an "M" rated game," said Paul Koulogeorge, EB games director of marketing.
Donna Marsoud, a Rotterdam resident with five children ranging in ages 11 to 15, says she pays close attention to the video games her children play by reading their magazines on the subject, going on the Internet to learn specifics about the game, talking to friends with children and renting the game at Blockbuster Video and checking it out before purchasing it.
"Every year when those Grand Theft Auto games come out, my kids want it, but I don't think it's appropriate for children," said Marsoud. "Parents these days have to be very careful, because they (video game companies) market games exclusively meant for adults to kids."
"I think if parents took a look at what their kids were playing they'd be really stunned by the level of brutality and anti-social behavior the games involve," she added.
For parents looking for new hot-selling video games the whole family can enjoy, there's the adventure titled Spiderman 2, which allows the player to swing around on tall buildings and protect citizens from criminals.
There's also the takeoff of the fairy tale Shrek 2, where players can revisit key locations from the movie sequel.
Tony Hawk's Underground 2 is also a hugely popular skate board sports title with teenagers.
Community activist Alice Green said she never heard of GTO before, but when she learned about the negative African American stereotypes that were celebrated in the game; she was offended and troubled by it.
Green, who leads the Center for Law & Justice in Albany, pointed out that studies show black teenagers watch more television than white kids on average and she's guessing the same hold true for video games.
"We already have enough negative stereotyping of black culture in movies, television and on the news that portrays black people who are violent, on drugs and buffoons," said Green. "This type of video game only reinforces those negative stereotypes in young black kids as well as whites who already get enough negative information on black urban culture from the media."
Parents interviewed said they either never heard of the game, knew their kids were playing it but were unsure about the content or, in rare cases, were fully aware of the GTO series and kept their children far away from it.

SOURCE: http://www.troyrecord.com/site/news.cfm?newsid=13450055&BRD=1170&PAG=461&dept_id=7021&rfi=6

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 27, 2004

NEWS/ARTICLES: Watching what we watch

Watching what we watch


An event on 'media literacy' gave a glimpse into the twilight world of Ofcom, the UK media regulator.

by Sandy Starr

'Literacy' is commonly understood as the ability to read and write, which is acquired as a key stage in child development. But what do the terms 'media literacy', 'emotional literacy' and 'political literacy' mean? And why is the UK's media regulator, the Office of Communications (Ofcom), so keen on promoting them?

Ofcom is a new type of media regulator, seeing its mission as to foster a more diverse media and assist us in interpreting the media, rather than to ban things because they're immoral or seditious, as an old-fashioned censor might do. Under the Communications Act 2003, Ofcom has a 'duty to promote media literacy', which is defined as a duty 'to bring about...a better public understanding' of the media (1).

This remit was motivated chiefly by an anxiety, on the part of an isolated political elite, that the media enjoys greater public influence than politicians do (see 'Communication ethics' and the new censorship, by Sandy Starr). One of Ofcom's central functions is to rein in this influence, failing which to measure and understand it.

As an initial step, Ofcom has conducted a public consultation on media literacy, and formulated a concise definition of the term: 'Media literacy is the ability to access, understand and create communications in a variety of contexts.' But this is little more than a rough description of what it is to be a human being.

If we wish to understand what Ofcom really means, we must look beyond fuzzy definitions to the regulator's claims that 'media literate people will be able to exercise informed choices about content and services'. 'Choice' has become a recurring mantra in the pronouncements and initiatives of officialdom, in particular 'informed choice', which is a recipe for imposing officially sanctioned values upon people (2) (see 'Informed choice' is no choice at all, by Brendan O'Neill).

This promotion of officially sanctioned values under the heading of 'choice' was evident at an event hosted by Ofcom at its London offices this week, called 'Emotional and Political Literacy and the Media'. One of the speakers was Annette Hill, professor of media studies at the University of Westminster, who presented research into the emotional responses of TV viewers to 'popular factual television programmes' (that's reality TV to you and me). Her research provided fewer insights into the public than into the preoccupations and prejudices of Ofcom's circle.

Hill looked at children's reactions to programmes such as Animal Hospital and Animal ER, focusing on 'acute suffering - pet death'. She contrasted the fact that children are distressed by seeing animals suffering and dying, with the fact that their parents sometimes think there may be some educational value in the spectacle. Hill implied that the children were in some ways savvier than the parents, for recognising that these sorts of programmes are emotionally exploitative.

The idea of the media savvy child was a recurring theme during the day's proceedings. The speakers seemed less comfortable analysing adults' emotional reactions, which tended to be more opaque and less susceptible to the terminology of media, emotional and political literacy.

For example, another strand of Hill's research concerned 'life experiment programmes' such as Wife Swap, Faking It, and Trust Me, I'm a Teenager. Hill was concerned that despite these shows' rich emotional conflicts, 'I had a huge resistance to discussing these programmes in any way related to learning' - she even concluded that 'Wife Swap acts as a barrier to learning'. Many of her interviewees thought of Wife Swap and its ilk as 'just entertainment', which she said 'is a really negative phrase to be applying to popular factual programmes'. For those of us not immersed in Hill's jargonised world, it would come as no surprise to learn that people watch Wife Swap for entertainment rather than to improve their media literacy.

Hill also criticised Wife Swap's viewers for looking down upon the individuals who feature in the programme - she spoke disparagingly of the 'emotionally superior position of the viewer', and argued that such an attitude 'acts as a barrier to people discussing their emotional learning'.

Other speakers included James Park, director of Antidote, the campaign for emotional literacy, and his colleague Barry Richards, professor of public communication at Bournemouth University. Antidote's definition of emotional literacy is 'the practice of thinking individually and collectively about how emotions shape our actions, and of using emotional understanding to enrich our thinking' (3). Meanwhile, Richards defined 'political literacy' as 'the capacity to be an effective citizen', which he linked to the government's project of fostering 'citizenship', and to the introduction of citizenship as a subject on the national curriculum.

Park and Richards showed a video recording of six-year-old pupils in east London discussing the question 'Is Africa a free country?' (itself a politically illiterate question since Africa is a continent, but that was apparently part of the point of the exercise). The children's emotionally literate teacher sat with them in a circle, inviting them to contrast and reflect on the differing accounts of Africa in a picture book they had just read, in items they had seen on the news, and that they had received from members of their family.

While this might be a useful exercise for getting children to think about the world, how it constituted an emotional education escaped me. But what was disturbing was Richards' assertion that the video demonstrated a valid model for fostering political understanding in general. Here we see the infantilisation of the public that lies at the heart of projects to promote new forms of literacy.

Richards' claim that the children's exercise was 'turning them into an active political force' revealed a lack of imagination as to what 'an active political force' might be - robust and confrontational for a start, rather than a tentative exchange of ill-formed thoughts. Richards complained that contemporary politics is 'disorienting', and leaves people feeling 'ignorant and incompetent'. But surely the solution would be to offer people political ideas of substance and appeal, rather than seek to conduct politics according to an emotional etiquette?

When I questioned the usefulness of the categories 'media literacy', 'political literacy' and 'emotional literacy', Hill responded by suggesting that 'we need more types of literacy', covering every aspect of life and learning. But what we really need is for the once meaningful category of 'literacy' to be left well alone, before it dissolves further into a sea of meaningless Ofcomspeak.

Park and Richards acknowledged the concern that these new forms of literacy could become an insidious means of seeking to engineer people's ideas and behaviour. They argued that the pursuit of emotional and political literacy is no authoritarian conspiracy, but rather a 'process', an ongoing, open-ended affair. Yet this just demonstrated how slippery and difficult to pin down these new literacy projects are. Vagueness is a convenient means of avoiding being held to account for one's interests and objectives.

In conclusion, Ofcom's media literacy manager Robin Blake admitted that 'there is no clear and agreed definition of media literacy - we have chosen words that serve our purpose, and you will choose words that will serve yours'. The association forming in my mind between Ofcom's imposing, white-corridored Southwark offices and the Ministry of Truth in George Orwell's novel 1984 was not dispelled by Blake's closing request: 'If you have any evidence of the way people are behaving, do let us know.'

Ofcom will continue devoting considerable resources to researching a public it cannot get the measure of, in much the same way as a puzzled laboratory scientist might conduct endless tests upon a mysterious species of rat. Indeed, the regulator now plans 'to complete an audit of media literacy skills across the UK' - although how one could audit such an ill-defined construct is anyone's guess (4).

What should give us greatest cause for concern is Ofcom's statutory duty, once it has decided to its satisfaction what media literacy is and how much of it we possess already, to inculcate it in us - assisted, no doubt, by literacy campaigns such as Antidote and numerous academics who know a good source of research funding when they see one. The best way of expressing our political literacy would be to tell them where to stick it.

(1) Communications Act 2003, section 11, Duty to promote media literacy

(2) Ofcom's Strategy and Priorities for the Promotion of Media Literacy (.pdf 378 KB), Office of Communications, 2 November 2004, p4, 3; 'Informed choice' is no choice at all, by Brendan O'Neill

(3) About emotional literacy, on the Antidote website

(4) Ofcom's Strategy and Priorities for the Promotion of Media Literacy (.pdf 378 KB), Office of Communications, 2 November 2004, p8

SOURCE: http://www.spiked-online.com/Articles/0000000CA7E5.htm
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 25, 2004

NEWS/AWARDS: ATN Bangla wins International Emmy for children's broadcasting

ATN Bangla wins International Emmy for childrenÂ?s broadcasting

NEW YORK, 22 November 2004 Â? ATN Bangla from Bangladesh has won the special International ChildrenÂ?s Day of Broadcasting Award at the 32nd International Emmy Awards Gala in New York City.

The International Emmy was awarded jointly by UNICEF and the International Academy of Television Arts and Sciences (IATAS) in a star-studded ceremony this evening at the New York Hilton Hotel.

UNICEF Goodwill Ambassador Harry Belafonte presented the award to ATN Bangla, which was chosen as having produced the best programming on the International ChildrenÂ?s Day of Broadcasting (ICDB) in December last year. Presented 11 months later, the award highlights the winnerÂ?s achievements in promoting children's rights and supporting children's participation in broadcasting.

This year there were more than 30 TV broadcasters competing for the award. In addition to the winner ATN Bangla, the other finalists were BTV-8 and Walt Disney International from China; Nation Television from Kenya and Lao National Television from Lao PDR.
 
Â?The International ChildrenÂ?s Day of Broadcasting unites kids all over the world.  ItÂ?s helping to empower kids.  ItÂ?s helping adults learn more about how kids think and feel.  And it's beginning to change the world for our children,Â? said Stephen Cassidy, Chief of UNICEFÂ?s Broadcast Section.  

ATN Bangla produced a 25-minute documentary depicting the real-life story of a local hero. The documentary Â? Amrao Pari (Â?We can beÂ?) Â? was produced by the weekly 25-minute Bangladeshi TV programme Aamra Korbo Joy  ("We shall overcomeÂ?).  Aamra Korbo Joy is created and produced entirely with a group of 16 teenagers who participate in all stages of the process, from conceptualization to scripting, production and filming.

About ICDB

The International ChildrenÂ?s Day of Broadcasting gives children and young people the chance to become directly involved with television and radio Â? as reporters, presenters and producers of programmes that express their own dreams and concerns. ICDB is celebrated every December by countless children around the globe. This yearÂ?s Day is Sunday 12 December. Learn more about ICDB - www.unicef.org/icdb

SOURCE: http://www.unicef.org/videoaudio/video_24220.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

RESOURCES: Youth and the Millenium Development Goals

Excerpt from "YOUTH AND THE MILLENNIUM DEVELOPMENT GOALS: Challenges and Opportunities for Implementation / Interim Report of the Ad Hoc Working Group for Youth and the MDGs" - downloadable at http://www.mdgyouthpaper.org/mdgyouthpaper.pdf
 

"Youth Media Network: Information is critical for development and tangible support should be provided for the thousands of existing, successful youth-media  initiatives around the world Â? including technology tools, training, and financial resources. The creation of networks to allow sharing of stories and cross-pollination of reporting would increase audiences and enhance influence and impact. Emphasis might also be placed on education that bridges a youthÂ?s experience with youth media with involvement in mainstream independent journalism."

--------

This Report was inspired by a meeting in April 2004 with Professor Jeffrey Sachs at the United Nations Commission on Sustainable Development (UN CSD) focusing on the MDGs. At that meeting, the chair of the UN CSD Youth Caucus asked him how the Millennium Project was going to involve young people as partners. He replied, "You tell us."

As a result of this invitation, an international team of youth experts from various non-governmental organizations (NGOs) worked together to formulate this Report. It is the result of hours of research, input based on the experience and expertise of taskforce members, consultation with other organizations, and a 3-week online consultation with over 350 youth from around the world.

These questions are aimed to help structure your feedback. You are welcome to send an email with questions to: comments@mdgyouthpaper.org

*You may submit comments in languages other than English, though unfortunately we are not able to provide translation of the paper at this time.

You are welcome to provide general comments on email, or you may fill out the form to provide more detailed comments for each section of the report. You are encouraged to send your feedback as soon as possible, as a final redrafting of this paper is aimed for completion in February 2005.

The Ad Hoc Working Group on Youth and the MDGs wishes to thank the United Nations Programme on Youth in the Department of Economic and Social Affairs (DESA) for their assistance in preparing this report.

_______________________________________________

 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email:
cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

RESOURCES: Top 10 Cartoons for Children's Rights

Top 10 Cartoons for ChildrenÂ?s Rights

NEW YORK, 19 November 2004 Â? UNICEF has just released the Â?Top 10 Cartoons for ChildrenÂ?s RightsÂ?, as selected by polling broadcasters and communicators, to commemorate the 15th anniversary of the Convention on the Rights of the Child.

Cartoons for Children's Rights is a UNICEF broadcast initiative that aims to inform people around the world about childrenÂ?s rights. (See also Â?What are childrenÂ?s rights?Â?, below.) So far, the effort has forged partnerships with many well-known animation studios that have developed more than 80 half-minute public service announcements (PSAs).

Each PSA illustrates a right described in the global rights treaty, such as Â?Freedom from Child LabourÂ? or Â?Protection from NeglectÂ?. All the spots are non-verbal, in order to get the rights message across to everyone, regardless of language. The spots have aired on more than 2,000 television stations globally. 

The top 10

Videos are in Real format.
Children have the right toÂ?

Freedom from Discrimination (Article 20): High | low bandwidth
Philippines (Imagine Asia). Directed by John Rocco.

  

Family (Article 5): High | low
Argentina (Independent). Created by Miguel Repiso. 

Identity (Article 8): High | low
Iran (Independent). Animated by Noureddin Zarrinkelk. 

 

Education (Article 28): High | low
India (Toonz Animation). Directed by Bill Dennis. 

 

Protection in War (Article 38): High | low
India (USL-RM) 

 

Protection from Neglect (Article 19): High | low
Czech Republic (Kratky Film). Animated by Zdenka Deitchova.

 

Freedom from Discrimination (Article 2): High | low
Barbados (Independent). Animated by Guy OÂ?Neal. 

 

Freedom from Child Labour (Article 32): High | low
Italy (RAI Television). Created by Guido Manuli. 

 

A Protective Environment  (Articles 3, 9): High | low
Scotland (Red Kite Productions Ltd). Animated by Anwyn Beier.
Music by Rowland Lee. 

 

Self Expression (Article 13): High | low
Chile (CINEANIMADORES). Animated by Alejandro Rojas Tellez.
Sound and Music by Alejandro Lyon. 

What are children's rights?

In 1989, the United Nations General Assembly adopted the Convention on the Rights of the Child. This landmark treaty, now ratified by all but two countries on earth, spells out the rights of all children Â? to health, to education, to an adequate standard of living, to leisure and play, to protection from exploitation, to express their own opinions Â? and many more. All children have these rights.

The Cartoons for Children's Rights are for both children and adults. With its captivating images and cross-cultural appeal, animation is the perfect tool for informing children about their rights and society about its obligations. By airing the Cartoons for Children's Rights, broadcasters can use their influence to help realize the rights of every child.

SOURCE: http://www.unicef.org/videoaudio/video_top_cartoons.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

PROJECTS: UNICEF-supported radio network reaches children in Vanuatu

UNICEF-supported radio network reaches children in Vanuatu

TANNA Vanuatu/NEW YORK, 18 November 2004 Â? Children in the South Pacific country of Vanuatu are hearing radio broadcasts for the first time.

UNICEFÂ?s Deputy Executive Director Kul Gautam was in Vanuatu early this fall for the launch of a UNICEF-supported programme that has brought a community FM radio network to life.

Vanuatu is made up of 83 islands. The vast distances between communities create ongoing challenges in reaching people in remote areas. The purpose of the project was to improve the spread of information, as well as to open new avenues of communication in a largely oral culture. Fifty percent of VanuatuÂ?s population of around 202,000 is under the age of 15 years.

In early 2004, the Community Radio Society of Tafea (CReST) began the process of setting up a community FM radio network for people who live in the province of Tafea, Vanuatu.

UNICEF Pacific sponsored the programme as part of a larger effort to enhance the educational media experience of South Pacific's students, teachers, parents, community leaders, and others.

After the Child Friendly Schools (CFS) project of Vanuatu Education and UNICEF supplied the station with two transmitters, the local board of trustees took control of the administration, programming, and direction of the station.

UNICEF and its partners hope the radio network will enhance communication and educational opportunities for all children in Vanuatu.

About Vanuatu

Vanuatu is part of the Pacific region, a large and culturally diverse area consisting of 22 sovereign states and dependent territories. Vanuatu is one of the areaÂ?s larger island chains with over 80 islands. Pacific island countries have achieved variable levels of development. Kiribati, Vanuatu and Solomon Islands are at the lower end of the scale.

The entire regionÂ?s infant mortality rate has declined steadily in the region over the past decade. But in Vanuatu, along with Kirabati, Solomon Islands and the Marshall Islands, it is still high (between 37-63 per 1,000 live births). In Vanuatu and Solomon Islands the leading causes of death in children under the age of five years include acute respiratory infections, diarrhoea, malaria, perinatal complications and injuries. In Vanuatu, the Federated States of Micronesia, the Marshall Islands, Kiribati, and Solomon Islands, child survival goals remain paramount.

UNICEFÂ?s programmes in Vanuatu focus on immunization and the improvement of girlsÂ? education.

SOURCE: http://www.unicef.org/infobycountry/vanuatu_24187.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 24, 2004

CALL FOR PARTICIPATION: - GIRL ABUSE AND NEGLECT: Canadian Art Project

- GIRL ABUSE AND NEGLECT: Canadian Art Project [call for participation]

Growing Up XX is an empowering theatrical travelling stage show for girls of all ages. This two-hour long show will allow girls between the ages of 12 to 24 to express what it is like to be a girl today by telling their own stories of survival. The project will bring back an art form, and style of communication that has been misplaced - the art of story telling.

This show will allow girls from all backgrounds to speak about their experiences - both positive and negative - and what they did and still continue to do to survive. They will express themselves and tell their stories through other forms of artistic expression: dance, painting, drawing, sculpture, song, comedy etc.

The primary objectives of Growing Up XX are:
- to reach as many girls as possible in all communities around the world in order to let them know that they are not alone in their plight
- to heighten awareness of the inequalities and the struggles that girls face in society
- to raise money to fund more programs for girls of all ages through ticket sales and sales of items related to the show

The show is being started in Ontario, Canada. It will then be performed in different communities across Canada, and will hopefully tour the United States, Britain and other countries.

All artistic contributions from girls, including those not featuring in the show, will become part of an Art Display project. All girls are invited to participate by answering the question "What does being a girl mean to you?". The artwork will hopefully be displayed in parliament buildings across the globe for the month of March 2006 (International Women's Worth).

For more information, contact:

Tanya Lee, Project Co-ordinator
Growing Up XX
Website: http://www.growingupxx.com

SOURCE: http://crin.org/resources/infoDetail.asp?ID=4843
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

AWARDS: International Emmy Awards 2004

WINNER IN THE CATEGORY "CHILDREN & YOUNG PEOPLE":

The Illustrated Mum - A Granada Kids Production for Channel 4 (United Kingdom)

Synopsis: The Illustrated Mum brings to the screen the psychological depth and emotional complexity of Jacqueline Wilson's story of two girls' relationship with their alcoholic mother. Marigold's daughters, Dolphin and Star, are deeply affected by her mental instability but respond differently to it. Dolphin adores her magical, crazy mum, while Star just wants her to be normal.
 
The other nominees were:
31 minutos - #10 / Aplaplac Television Nacional de Chile (TVN)
Colombia / KRO in coproduction with Coraid (Netherlands)
Dunya & Desie - "Blind love" / NPS productions (Netherlands)

--------------------------------

INTERNATIONAL EMMY AWARDS HONOR EXCELLENCE IN TV PROGRAMMING AT 32nd ANNUAL EVENT IN NEW YORK

British shows win big at the 32nd International Emmy Awards - Star-studded Event Featured Graham Norton, Lenny Kravitz, Carson Kressley and Harry Belafonte
 
NEW YORK, November 22, 2004 - The highlights of the night were three wins by the United Kingdom's Channel Four: Twenty-Twenty's production of the breakthrough "Brat Camp" in the Non-Scripted Entertainment category; Granada Kids' production of The Illustrated Mum in the Children & Young People category; and Yipp Films' documentary The Boy Whose Skin Fell Off. Wall to Wall's biography George Orwell: A Life in Pictures (BBC TWO) received an International Emmy for Arts Programming. Germany took home the top Comedy Award with Studio Hamburg Berlin Produktion's "Berlin, Berlin"; "Waking the Dead" received the Drama Series award from BBC ONE; and Henry VIII - a Granada/WGBH Boston co-production in association with POWERCORP for ITV - was awarded the International Emmy for TV Movie/Mini-Series.

The International Academy of Television Arts & Sciences announced the winners of the 32nd International Emmy Awards tonight at a star-studded Gala event held at the New York Hilton, hosted by Graham Norton, host of Comedy Central's "The Graham Norton Effect" and "So Graham Norton," the International Emmy award-winning show from the United Kingdom's Channel Four. Joining him as presenters were: music greats Harry Belafonte and Lenny Kravitz; "Queer Eye For The Straight Guy" star Carson Kressley; "Queer 5 Experts dans le vent" stars Benjamin Bove and Junior; daytime drama stars Lesley-Anne Down and Michael E. Knight; PBS Chief Executive Officer Pat Mitchell; Luyu Chen, anchor of Phoenix Chinese Channel's "A Date With Lu Yu" program; National Vice Chairman of the National Academy of Television Arts & Sciences Herbert A. Granath; broadcast news icon Don Hewitt; Chairman of Sun Media Investment Holdings Limited Lan Yang; and Sara Paxton, teen star of "Darcy's Wild Life" and "Summerland."
"In recent years British programs have been winning fewer International Emmys than in the early years of the Awards. This year they made a major comeback. Over 500 jurors from 38 countries participated in the judging and they have decided to recognize excellent British productions with the majority of the 2004 International Emmy Awards," said Academy President & CEO, Bruce Paisner, also President of Hearst Entertainment. "Tonight the Academy was honored to host a multi-national, multi-generational audience of international television professionals for the International Emmy Gala."

This year's Directorate Emmy Award was presented to Herbert Kloiber, Managing Director, Tele-München Group (TMG) for his outstanding contributions to the arts and sciences of international television. Dr. Herbert Kloiber is Chairman and majority shareholder of Tele-München Group (TMG). He acquired TMG in 1977 and expanded the company's initial production operation into distribution, channel operation, and theatrical, video, and television distribution, controlling rights for the second largest television program and film library in Germany. In 1989, Dr. Kloiber sold 50 percent of TMG to Capital Cities/ ABC. Prior to TMG, Dr. Kloiber worked in various capacities at Beta/Taurus from 1970 - 1976. In 1974, he was named Managing Director of Unitel, the film and television production division, which specialized in the production of opera, concert, and ballet films. Dr. Kloiber is a member of the Supervisory Board of the Bavarian Film Funding Organization and the Advisory Board of Hypo Vereinsbank, Germany's second largest bank. He is a member of the Board of Directors of Scandinavian Broad-casting Systems, RTL II and ATV.
Prior industry giants who have won the award include Ralph Baruch, founder of Viacom; Herb Granath, Chairman, Disney/ABC; Su-Ming Cheng, Chairman of China Television; Sam Nilsson, Director General of Swedish Television; Katsuji Ebisawa, President, NHK Japan Broadcasting; and John Birt, Director General, BBC, among others.
The International Emmy Founders Award was presented to MTV Networks International. The Founders Award is bestowed upon individuals and organizations whose unique creative accomplishments contribute to the quality of global television production. Led by MTV Networks International President Bill Roedy, the company was honored for revolutionizing music on television and supporting the fight against HIV/AIDS around the world. Mr. Roedy, who is also a UNAIDS Ambassador, was presented the award by multi-platinum recording artist Lenny Kravitz.
Under Mr. Roedy's leadership, the company pioneered the strategy of taking a local approach to an international business. With 75 localized television networks outside the U.S. across brands, MTV Networks International has more services than any other entertainment company, reaching a potential audience of more than one billion people in 164 countries. MTV is the world's largest television network and the leading multimedia brand for youth, with 80% of its viewers outside the U.S. Past recipients of the Founders Award include Sir Howard Stringer, Chairman and CEO, Sony Corporation of America; John Hendricks, Founder, CEO and Chairman of Discovery Communications, Inc.; Hisashi Hieda; Fuji Television, Robert Halmi, Hallmark; Don Hewitt, Executive Producer of 60 Minutes, Jim Henson; and Bill Cosby.
Additionally, Len Mauger, veteran Australian Channel Nine broadcaster, received the Ted Cott Award. This award is in recognition of his outstanding dedication to the Academy.
The International Academy of Television Arts & Sciences is the largest organization of global broadcasters, with members from 62 countries and over 350 companies. The Academy was chartered in 1969 with a mission to honor and encourage excellence in television programming produced outside of the United States by awarding the International Emmy Award in eight categories. The Academy is a unique, independent organization including the world's top television and media leaders who come together to exchange ideas, discuss common issues and promote new strategies for the future development of quality global television programming.

SOURCE: http://www.iemmys.tv/november22.html
_______________________________________________

Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany

Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media

The YPMN is supported by UNICEF and hosted by the ECMC.

The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS: First-Ever Global HIV/AIDS Creative Meeting at the United Nations Brings Together Creative Experts from 35 Media Companies

First-Ever Global HIV/AIDS Creative Meeting at the United Nations Brings Together Creative Experts from 35 Media Companies
Tuesday November 23, 8:57 am ET

Historic Gathering Builds on Efforts of Global Media AIDS Initiative

NEW YORK, Nov. 23 /PRNewswire/ -- Today, more than 100 creative and programming directors from 35 media companies, leading media figures and non-government organizations from around the world are meeting at the United Nations Headquarters to exchange ideas on how to incorporate HIV/AIDS messages into short- and long-form programming. This first-ever global creative meeting on HIV/AIDS builds on the efforts of the Global Media AIDS Initiative, launched in January 2004 by the United Nations Secretary General Kofi Annan, and was organized by Viacom, MTV Networks International, the Kaiser Family Foundation, the Joint United Nations Programme on AIDS (UNAIDS), and the United Nations Department of Information (UNDPI). The meeting is also being supported by the Bill & Melinda Gates Foundation and The International Academy of Television Arts and Sciences (IATAS).

Dr. Peter Piot, UNAIDS Executive Director, said, "The creative community has the power to shape behaviors of individuals and set positive lifestyle trends for communities. This coming together of the world's best creative minds to focus on AIDS is a significant boost in the response to AIDS. Getting to the hearts and minds of people is key to stopping AIDS."

Sumner M. Redstone, Chairman and Chief Executive Officer, Viacom, said, "With two-thirds of the estimated cases preventable through information and education, the power of media is one of the most formidable tools that we have in fighting HIV/AIDS. This disease knows no boundaries, no genders, and no ethnicities and so must our response. Now, more than ever, our industry must work together to find new and compelling ways to make HIV/AIDS relevant to our audiences and to deliver lifesaving information to our viewers. Collectively, we can make a critical difference by helping to save millions of lives, and today's meeting is another step in achieving this essential goal."

Bill Roedy, President of MTV Networks International and UNAIDS Goodwill Ambassador, said, "With 38 million people infected with HIV/AIDS globally and more than half of all new infections among young people, HIV/AIDS is the defining moral issue of our time. Because of MTV's long history addressing this issue among our youth audience, we are well suited to call together the first-ever creative meeting on HIV/AIDS, fulfilling a promise made at the UN Global Media AIDS Initiative launch. HIV/AIDS remains a top priority at MTV to continue to raise awareness through the Staying Alive campaign and engage others to form their own response to the epidemic."

Drew E. Altman, President and Chief Executive Officer, Kaiser Family Foundation, said, "Media companies usually compete and keep their best creative ideas to themselves. Today, companies from across the globe are sharing experiences and ideas about how best to reach people with critical information on HIV."

Fred M. Cohen, Chairman of IATAS, said, "The International Academy of Television Arts and Sciences is proud to be a sponsor of today's important Global Media AIDS Initiative Creative Meeting at the United Nations. As the largest organization of global broadcasters, we are honored to participate with the Kaiser Family Foundation, Viacom, MTV Networks International, UNAIDS and UNDPI in the Global Media AIDS Initiative. The broadcasters and media organizations of the world play a pivotal role in not only creating but distributing programming which confronts one of the greatest crises of our time -- HIV/AIDS."

About The Global Creative Meeting

The global creative meeting's day-long program includes sessions led by advertising, programming and communications experts addressing a wide range of issues related to the epidemic, including stigma and discrimination, youth outreach, broad-based partnership coalitions, and short- and long-form programming development.

Sumner M. Redstone, Chairman and Chief Executive Officer, Viacom, will deliver the opening address, during which he will urge participants to find new ways to focus their talent and creativity in harnessing the media to fight HIV/AIDS. Film actor and long-time activist Richard Gere will give the keynote address at the meeting and discuss his involvement with the Heroes Project, a three-year campaign to combat HIV/AIDS in India.

The morning session, moderated by Shashi Tharoor, the United Nations Under-Secretary-General for Communications and Public Information, will address participants on challenges and barriers that the media need to confront and overcome in order to make a potent contribution in fighting HIV/AIDS. Thereafter, he will facilitate a discussion on strategies that have resulted in successful media campaigns in fighting HIV/AIDS. The discussion will include participation from LoveLife, South Africa's largest youth campaign, which works with media, schools and youth groups to conduct peer outreach in communities across the country. Indian Director Revathy Menon, whose film Phir Milenge addressed HIV/AIDS earlier this year, will also participate along with representatives from the Russian Media Partnership on HIV/AIDS, a collective of more than 30 media companies that have come together in a new dedicated effort to address HIV/AIDS.

Case studies will feature Sesame Workshop's co-produced series with South Africa Broadcasting Corporation, Takalani Sesame, the first pre-school TV show to tackle the issue of stigmatization through an HIV-positive 5-year-old girl Muppet named Kami. In addition, Black Entertainment Television (BET) and the Kaiser Family Foundation will discuss Rap it Up, the largest HIV information effort specifically targeting African-Americans.

Renowned advertising creative, author, director and producer Hermann Vaske will offer his unique insights about reinventing creative approaches to the epidemic. Award-winning Creative Director for MTV Networks International, Cristian Jofre, will present The R-Evolution of HIV/AIDS Communication, an overview of how media campaigns have evolved globally since the 1980's among the film, music, television, sports and advertising industries.

Afternoon breakout sessions will address developing new long-form special programming as well as integrating HIV themes into existing shows. Peter Gill of the BBC World Service Trust will frame the session with remarks about their partnership with India's Doordarshan. Chris Davidson, Vice President of Current Programming at CBS, and Eunetta Boone, Executive Producer of One on One, will share their experiences as well. Kevin Mackall, Senior Vice President, On-Air Promos, MTV U.S., along with Nigel Cox-Hagan, Senior Vice President, Creative Group & Consumer Marketing at VH1 U.S., will offer insights into creating public service announcements that address a variety of HIV/AIDS issues relevant to youth and adult audiences.

In an effort to encourage broadcasters to develop more HIV/AIDS programming, the Rose d'Or Festival has announced a new social awareness award to be inaugurated in 2005 with a special emphasis on long-form programming focusing on HIV/AIDS in the first year.


SOURCE: http://biz.yahoo.com/prnews/041123/nytu036_2.html
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS: Broadcast media: Screen stereotypes (UK)

 
By - 24/11/04
TV and radio shows have had mixed success at portraying young people fairly. Caspar van Vark looks at some programmes that are redressing the balance.

Those who keep an eye on the press will know that it rarely goes out of its way to champion young people. But you might think that among all the programmes on TV and radio, there would be lots of room for positive portrayals.

Not so, according to Iain Shaw, director of Media Education, an Edinburgh-based organisation that uses media projects to try to make positive changes in particular communities. "Young people are not fairly represented," he says. "But then, who is?"

Many young people are under few illusions about what programme-makers are interested in. Karen Sutherland, 17, a member of Media Education, says she has seen first-hand how images of young people can be manipulated.

"I saw a programme that had young people on it, and it was obvious they'd been drinking," she says. "But later it was discovered that the producers of the programme had bought the drinks."

Negative images

There was a recent uproar in Campbeltown, in Scotland, over a BBC2 documentary that portrayed the town's young people as bored, disillusioned and prone to alcohol abuse. The town's residents claim the film ignored all the positive sides of young people's lives, and a local youth group is now making a film to counter the documentary.

Ricky Evans, information worker at Kintyre Youth Enquiry Service, explains: "A group of young people here have done video training and are making a film called Campbeltown: The Real Story. It will show the positive aspects of being a young person in Campbeltown - safety, community spirit and all the things there are to do. We have a brass band made up primarily of people under 18 that has played in the Scottish Championships."

The film is expected to be ready before Christmas, and its makers hope it will be shown in the local cinema and distributed to statutory agencies.

It would be inaccurate to say broadcasters don't listen to their audience, or that young people are all unhappy with TV. Last spring, the National Children's Bureau (NCB) carried out a consultation with 100 young people in London and Omagh on behalf of the BBC to find out what they thought of the broadcaster's output. Lots of positive feedback came out of that, says Janine Shaw, head of participation at the NCB.

"A lot of young people can really relate to the young people they see in the media," she says. "The fictional characters they liked most had a balance between good and bad."

Some of the characters that met with approval were Malcolm and Stevie from Malcolm in the Middle. Stevie was seen as a role model because although he uses a wheelchair, he is seen to lead a normal life and has overcome bullying. And Sonia from EastEnders was seen as someone who had been through a lot but achieved her ambitions, and is not an unrealistic size-eight blonde.

"They could relate to a lot of characters, but often they thought they were too extreme," says Shaw. "It's the bully and the victim, and you don't get to see many like the majority of young people. It doesn't make good storylines."

Hold the front page

One significant piece of feedback in the NCB consultation was that young people wanted to see more positive news stories about young people. It is common for news items about young people to be about antisocial behaviour or teenage pregnancy rates. James Weeks, a producer at Sky News, says young people's issues are covered, but denies coverage is always negative.

"We cover young people's issues when they're strong enough to merit a place in the day's running order," he says. "We run 'good news' stories very frequently, but things that make news are very often bad things happening or bad people. Our portrayal of young people is no different from our portrayal of adults."

Young people themselves sometimes claim they aren't given a voice. "It's a shame, because I saw some young people on Newsnight who were perceived quite well," says Karen Sutherland. "Young people have lots to say but they aren't always listened to."

Weeks agrees that it's important to interview young people where relevant, but admits it isn't easy. "Relevant young people are very hard to find in a hurry," he says. "But we've built relationships with local schools, and we work with young journalists from Children's Express, who create material from their own perspective that gets broadcast alongside our material."

The BBC's Newsround also tries to give a voice to young people. It has a Press Pack: young reporters who are sent out to cover stories for the programme. There can be five in a week, and the scheme is going to be expanded in the New Year to allow young people to be editors for a day.

But the programme's remit is to broadcast to young people, says editor Ian Prince.

"The people that work here are professional journalists," he explains.

"It takes adults a while to get up to a level of expertise, and that's why Newsround is not made by young people."

BBC Scotland recently made an effort to give young people a voice with a programme called Teen Commandments.

It was a discussion programme hosted by former Big Brother winner Cameron Stout, and aired for five evenings in the first week of November.

"We're only talking to young people, so we're getting it straight from the horse's mouth," says Stout. "We're talking about things like pregnancy, drink and drugs, death, hopes for the future, family issues and school. Young people have a far better handle on their parents' thinking than their parents have on the young people's thinking."

You might think radio would be more accessible than TV. Student radio stations are common, and mainstream radio stations often have phone-ins.

No chance to talk

But Titus Lucas, who set up a radio station for young people in London called Issue FM, disagrees. "When young people call radio programmes, they are usually disregarded," he says. "If your point doesn't tally with the station's ethos, you don't get on."

Media Education in Edinburgh has run an annual Festival Radio project since 1994 that gives 30 young people aged 12 to 18 free access to Edinburgh Fringe shows and allows them to become reporters for a week. They're provided with training in interview techniques, recording equipment and audio editing to produce their own broadcasts, which are aired on radio stations throughout the UK.

Sheena MacDougall, Festival Radio project manager, says: "Festival Radio provides access to the festival for the young people involved, but also for their listeners. This year the broadcasts are being aired on Radio Lollipop, so children and young people in hospital get a flavour of the festival."

Rachel Jackson, 19, thinks radio gives young people more of a voice.

"On Kiss they have phone-ins on youth-related subjects," she says. "But on TV it's always things like young people committing crimes or having babies."

Iain Shaw from Media Education says young people jump at the chance to have views aired, but predicts a long struggle before they get a fair representation.

"Getting young people to present their ideas is not just a matter of placing them in front of the camera or microphone and pressing record," he says. "To get the true voice of young people on TV and radio needs a different approach." Young people, says Shaw, must be provided with the support and resources they need to communicate the ideas they want in the way they want. "Let's rethink what media is for and use it to create a powerful training and advocacy tool so that everyone, and young people in particular, can help create positive changes in their lives."

YOUNG PEOPLE'S VOICES

- Most young people are portrayed negatively. I'd like to see more young people getting praised for the good things they do. Rachel Jackson, 19

- Children's shows like Grange Hill portray children with a range of personalities and attributes. They depict young people in a more realistic way than some of the television soaps like EastEnders and Hollyoaks or the news, where young people are reduced to thugs and teenage mums. Tara Brown, 16

- Young people are usually so stereotyped on television. I definitely think that the news is worst. They never have any good things to say about young people, only bad. The soaps are more rounded. I like to watch Neighbours, Friends and Frasier, but I also watch the news. Sarah Hunter, 17

- Most of the coverage is negative and I don't think young people are taken seriously by adults. It would be interesting to have more programmes by young people because young people can be quite creative and they should have more opportunities to get involved in TV. Karen Sutherland, 17

FACTS AND STATS

- Seventy per cent of teenagers have a television in their bedroom. (Source: Alliance for Childhood)

- More than a quarter of 15-year-olds spend more than four hours watching television each day during the week. That rises to close to half at weekends. (Source: World Health Organisation)

- Nearly nine out of 10 people believe the Government should impose tougher restrictions on sexual images on children's TV and in children's magazines.

The poll of more than 1,000 in the BBC's Healthy Britain survey found 86 per cent wanted the Government to act over unsuitable images in television programmes and magazines aimed at children that might make them want to have sex at a younger age.

- Seventy per cent of young people, both able-bodied and disabled, feel attitudes towards disabled people would improve if there were more positive representations of them on TV. (Source: Whizz-Kidz).

 
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

OPPORTUNITIES: Fred Rogers Memorial Scholarship (USA)

Fred Rogers Memorial Scholarship

"I'd just like to be remembered for being a compassionate human being
who happened to be fortunate enough to be born at a time when there
was a fabulous thing called television." - Fred Rogers

The Academy of Television Arts & Sciences, in association with Ernst & Young LLP, has established a scholarship in honor of Fred Rogers, the creator and long-time host of Â?Mister RogersÂ? Neighborhood.Â? The scholarship is intended to support and encourage an aspiring upper division or graduate student to pursue a career in childrenÂ?s media that furthers the values and principles of Fred RogersÂ? work.

From 1967 to 2001, Fred Rogers produced his daily children's television program, celebrating imagination and play, exploring children's feelings and sense of self worth, and treating young viewers with love and respect. Â?Mister Rogers' NeighborhoodÂ? still airs on PBS stations throughout the United States and remains the gold standard of how television can be used to enlighten, educate and increase social consciousness and understanding.

The scholarship, in the amount of $10,000, will be awarded annually to a qualified applicant. In addition to the monetary award, successful applicants will work with a Â?mentorÂ? from the ChildrenÂ?s Programming Peer Group during the academic year. Mentors will be identified from either the Los Angeles or New York membership and assigned based on logistical proximity to the successful applicant. The mentor and the applicant will communicate in person, by phone and by e-mail on a regular basis.

Who may apply and how does one apply?

The scholarship is open to upper division undergraduates and graduate students (Masters or Ph.D.) of accredited colleges or universities. Applicants must demonstrate a commitment, either through coursework or experience, to any combination of at least two of the following fields: early childhood education, child development/child psychology, film/television production, music, animation. Applicant must have the ultimate goal of working in the field of childrenÂ?s media.

Particular attention will be given to student applicants from inner city or rural communities.

Applicants will complete an extensive form (available here) that includes background information about the applicant and the applicantÂ?s plan for the use of the scholarship money. The applicantÂ?s plan needs to include project goals and milestones that will help the committee in the selection of a mentor and help the mentor in the guidance of the awardee. The applicant must also include recommendations
from two persons, either faculty members from two of the above referenced fields or professionals from the childrenÂ?s media industry who have worked with the applicant.

Applicants may apply for support for one of the following areas:

Â? Research on the relationship between childrenÂ?s use of media and learning or childrenÂ?s use of media and personal growth.
Â? Development of program concepts or extended development of creative elements of an existing concept, e.g. design of puppets, scripts, storyboards, characters, music, etc.
Â? Professional internship in an organization that is relevant to the applicantÂ?s goal. Proposed internship must be acceptable for credit by the applicantÂ?s home school.

How will the successful applicant be selected?

Applications will be evaluated by a committee formed yearly by the two governors representing the ChildrenÂ?s Programming Peer Group (CPPG) of the Television Academy. The CPPG governors will create a committee composed of peer group members and representatives of other peer groups as relevant.

Distribution of funds
All scholarships will be awarded through the winning studentÂ?s financial aid office or registrar. Awards will be disbursed at the beginning of the semester following the grant of the award.

Important notice
Applicants must be aware that if, in the opinion of the review committee, there is no qualified applicant in a given year, no award will be given.

For more information regarding the Fred Rogers
Scholarship, please call us at 818.754.2800.

SOURCE: http://www.emmys.tv/atemmys/rogers-scholarship.php

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 23, 2004

PROJECTS: UN-sponsored radio targets youth (KG)

KYRGYZSTAN: UN-sponsored radio targets youth

[ This report does not necessarily reflect the views of the United Nations]


BATKEN, 23 Nov 2004 (IRIN) - A UN-sponsored radio station in Kyrgyzstan's remote southwestern Batken province is working to encourage healthier lifestyles among the regionÂ?s youth.

Atkantan Jolchubekova, a high school student, listens to all her favourite programmes on Radio Salam. "Salam tells me about the history of the world, the history of our region and provides me with answers on difficult questions related to reproductive health," Atkantan told IRIN in the provincial capital, Batken.

"When typhoid and brucellosis broke out in Batken, my friends and I listened to the programmes on these topics. It seems that they have helped a lot of people to avoid trouble," she said.

Radio Salam started broadcasting in Batken with the support of the United Nations Children's Fund (UNICEF), its partners Internews-Kyrgyzstan and the local For International Tolerance NGO in 2001, making it the only radio actually based in the region.

"If there was no Radio Salam, then Batken would probably remain a godforsaken remote area isolated from the world by an extensive information gap," 17-year-old Aibek Temurov, who works on youth problems at the radio, told IRIN. "I would probably have quit everything and left for the capital."

Located over 1,000 km away from the capital, Bishkek, Batken is among the poorest areas in the country, with a range of development problems including a lack of services for youth.

Aibek was one of the first volunteers to join the station when he was a secondary school student. "The young generation of Batken seriously believes that the radio has changed their lives," Aibek told IRIN.

Radio Salam is part of UNICEF's Healthy Airwaves for Youth (HAFY) project. It unites five regional radio stations in various parts of the former Soviet republic. Journalists and young volunteers gather together to create interactive radio programmes designed for youth and according to local journalists, 70 percent of broadcasts are devoted to issues of healthy lifestyles.

Maksuda Aitieva, director of the radio, told IRIN that from the very beginning they targeted the local youth believing that specialists seconded to Batken from other cities would not stay there for a long time.

"As for volunteers, first they just made visits to see how radio programmes are created," said Maksuda. "Then we thought - hey, they are good successors."

Today, there are 30 volunteers at the radio station, producing features for children entitled Zigzag, which is broadcasted in the Kyrgyz and Russian languages. Young girls and boys are also involved in making other programmes, for example, educational radio programmes such as "If You Want to Know", "Daily Stories" and "School Bench".

One of the volunteer groups prepares TV programmes commissioned by the recently established provincial broadcasting company and another group is going to publish a children's newspaper.

Dinara Zulpukarova, a fourth-year student from a local university's foreign languages department, produces programmes together with other volunteers on raising youth awareness on the prevention of HIV and other sexually transmitted diseases (STDs), as well as on drug addiction and smoking.

Another issue of concern for the station is the increasing number of youth suicides occurring in the region. Over the past three months alone eight suicide attempts were reported in the province, officials at the local law enforcement bodies told IRIN.

"It shows that some young people are depressed, they are not capable of reacting to abrupt changes in life or to their fates. Therefore, it is necessary to rescue them and treat their souls," Aibek's young colleague told IRIN.

Altynbek Syrymbetov, a teacher and former school principal in Batken, said that Radio Salam could be instrumental in filling gaps in the educational area to a certain extent, which emerge due to a lack of resources.

Meanwhile, local authorities have welcomed the radio's efforts. Shadybek Bakybekov, assistant governor of Batken province, told IRIN that the station was a forum of opinions, which not only educated people, but encouraged social interaction.

"Salam has become a public radio, which raises awareness of the population and promotes solutions to various problems of the local communities," Bakybekov said.

As for the future, Salam's young enthusiasts now hope to move forward with further assistance from UNICEF. "With the help of international organisations we have created a successful radio station. But is it possible to say that one radio station and a few small newspapers can meet the local population's need for information?" Aitieva asked IRIN.

Already, new equipment has been purchased to expand the station's coverage to areas along the Tajik and Uzbek border.

"We hope that a wide spectrum of programmes on education and healthy lifestyles will help the radio gain prestige among the population. The most valuable assets of this mass media outlet - young volunteers and employees - will help it get on its feet and one day the station will prosper without our organisation's support," Galina Solodunova, a public relations expert for UNICEF in Kyrgyzstan, told IRIN from Bishkek.

[ENDS]

SOURCE: http://www.irinnews.org/report.asp?ReportID=44291
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

OneMinutesJr awards 2004 announced - Meet Narineh (13) from Armenia & Tatiana (19) from Romania

Pictures, profiles and - of course - the films are at www.unicef.org/magic.

Congratulations to the winners Narineh and Tatiana, but also to all other nominees and those who participated!

Chris

 

Award Ceremony Speech - by Moldovanyi Ferenc

Â?We had a chance to witness a very interesting encounter while watching the contestants' films made for the OneMinutesJr. The encounter of a form requiring a very to-the-point expression on film and creative attitude with a young fresh spirited generation sensitive to the problems of the world. Young people in their teens made one-minute works from all over the world, Armenia, Iceland, Moldavia, Sweden and Kyrgyzstan just to mention some.

All credit goes to UNICEF, the European Cultural Fund and the Sandberg Institute for this two year initiative, the One Minutes Festival opening its gates wide for teenagers who have met the challenge and tested their own talent with this demanding but exciting task. There are certainly some for whom making a film has been a wonderful adventure and there are others for whom it meant the beginning of a serious - and maybe long-termrelationship.

Whichever the case, I believe that it is essential that young people express their views, feelings and standpoint, that they explore the world through one of the most important tools of communication: motion pictures. The films competed in two categories "Best of World" with 34 and "Inside Out" with 32 contestants. The pre-selection - of about 200 works - was performed by BBC and Swedish Television. Extra thanks for the great work they have done!

The Jury did not have an easy job choosing the seven filmmakers for each category that is the nominees of this extremely manifold team. Finally when selecting the nominees we aimed at preserving and reflecting the richness of approach, message and filmmakers' attitude. Fourteen young filmmakers from ten countries are the finalists for the two main awards.

The films of both categories have shown proof of an astonishingly acute sense of social justice and justice on the whole, an honest, critical and responsible attitude to reality. They have spoken up for tolerance, social inclusion and important human values such as tolerance and pacifism expressing demand for a violence-free world. To my mind the seven talented nominees of both categories are winners, as they are all here to present their films, and we are winners as well to have the chance of seeing them.

However, as the rules are rules, we had to choose, not an easy task: Twice seven nominees and two of them shall become the award winners of the Best of World and Inside Out categories in 2004. How does an apple compare to grapes? How does one compare bugs making love in a condom a very witty anti-AIDS work to another film against racism and social segregation?

Or let's take a work cleverly calling for children's rights, full of humour and another very expressive one evoking a night in an orphanage full of anxiety. And there is the smart film against smoking and how about the lyrical work touching upon the subject of supporting the seriously ill. And we still had to decide: I can hear a voice, a child's voice in the night, a silent prayer:

" Dear angel, sent to me by God - I am asking you to teach me how to do good. - I am small, make me big, I am weak make me strong - Please save me from evil.."

And

".. Dear Lord in heavens.."

This is a voice in an orphanageÂ?

The winner of the Inside Out category of One Minutes Jr. 2004 is: Tatiana Panait with her film "Sleeping at the orphanage"

The film operates with simple tools and a very powerful atmosphere. The way it speaks up against hurting the children, the weak, defenceless ones and against senseless violence leaves a deep impression. Although this prayer is said in an orphanage it echoes in many parts of the world where children suffer abuse. This prayer is said for them too. A very talented and very important work the images of which won't leave us.

And now we come to announcing the winner of the "Best of World" category of One Minutes Jr.:
There were lyrical moments, films full of momentum, a fresh look, powerful and dynamic shots. There was warmth and sarcasm in these talented works. From
"Carousel" to "Revolution" to "Chalk-painting" from "Mafiosi" to "Scars" and "Lost Communication", and "Blip!". And the winner of the "Best of World" category is:  Narineh Daneghyan's film "Chalk-painting"

A beautiful lyrical film with puritanical artistic tools and a convincing knowledge of the profession conveying a metaphorical message with talent. Let's leave the islands of play and the possibility for self-expression untouched and not only on the big city pavements but all around our planet as well. I believe this is the mission, OneMinutesJr. festival wishes to achieve and that's the secret of its success. Let's preserve these peaceful islands moreover let's create some more!

I thank you for your attention and my heartfelt congratulations to all the nominees and the winners.Â?

SOURCE: http://www.unicef.org/magic/media/documents/oneminutesjr_2004_award_speech.pdf

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 19, 2004

ARTICLES: Film Resource Website Inspires and Entertains

 
Film industry web site, FilmFetish.com, launches a film resource section geared towards young people interested in careers in the film and television industries. Highly trafficed web site has plans for community outreach program for kids.
(PRWEB) November 18, 2004 -- Movies have been a source of entertainment and education ever since the first theaters were opened by Loew's in the early 1900's. Many of us have gone to see a film and wondered what it would be like to be a part of the filmmaking process. We leave the cinema thinking to ourselves 'I could have done that better,' or 'I bet it would fun to work in movies.' What many people don't realize is that the entertainment industry is one of the largest employers in the U.S. and has steadily expanded over the past ten years through innovation, gaming technology and broader support of quality independent projects.

For many inner city youth however, that curiosity many of us feel goes much deeper. Movies are a means of escaping an otherwise harsh reality. But most stop short of considering a career in media. Most people think making a film means actors, directors and writers. But there are hundreds of supporting roles in the creation of a film, television show or console game. There is also more crossover than ever.

A website called FilmFetish.com that has been providing entertainment news, movie reviews and film trivia, hopes to elevate that curiosity to the point of action. "The main goal of this project is to encourage young people who enjoy the cinema, but don't have any direction or adequate information on the industry, to be able to make an informed decision whether they should consider a career in media, and to provide them with information on the types of positions that exist, above and beyond the obvious," says Rene Carson, owner of By Hand Media and creator of the website. "For me, going to the movies opened up the scope of my world as a young person. I was able to travel to distant lands, see evil get defeated and feel inspired about the potential life has to offer. But there was never a source of encouragement to pursue filmmaking as a career."

Film Fetish has just launched a resource section with information about the many career choices in the industry, their functions and training requirements. The website will also be posting interviews with actors, producers, cameramen, DP's and other professionals in the coming weeks. There are also links to organizations that provide youth with opportunities to learn about the filmmaking process and work on their own film projects around the United States and abroad. Professionals and film school students can also find links to corporations and non-profit groups that fund independent film projects.

The editors of the website hope that its audience, which already visit for information on what's coming to theaters and DVD, will find the new content to be a helpful resource. "Part of the reason creative fields have been so difficult to break into is a lack of adequate information and more importantly, encouragement," says Carson. "The website uses entertaining ways to get you to investigate, then provides the more serious information in an appealing way," says the parents of one recent 15 year old visitor.

FilmFetish.com is part of a larger initiative that will include sponsored events, training programs and a planned screening series featuring films created by and focused on youth from around the world, all geared towards showing commonalities in the issues young people face and encourage kids to use filmmaking as a creative outlet and potential career choice.

About By Hand Media:
By Hand Media is a design and communications consultancy based in Jersey City, New Jersey, owned and operated by Rene Carson, a graduate of the School of Visual Arts in New York City. The firm provides web and print design and marketing solutions for the health care, insurance, retail, film, television and animation industries. For more information, please contact Rene Carson or Alvin Pettit at (201)417-3852, or e-mail protected from spam bots.

The website can be found at
www.filmfetish.com
 

PROJECTS: exciting audio on HIV/AIDS created by youth

 
> On the topic of exciting audio on HIV/AIDS created by youth, you can go to
> OneWorld AIDS Radio (
http://aidsradio.oneworld.net/mediamanage/search and
> listen to this year's entries to the OneWorld/MTV Staying Alive World AIDS Day
> competition 2004 (about the competition:
>
http://aidsradio.oneworld.net/section/aidsradio/wad2004). You need to become a
> member to be able to download audio from AIDS Radio (membership is free).
>
> Entries to video competition will be available on OneWorld TV
> (
http://tv.oneworld.net) in 10 days. Both audio and video winners will be
> announced by the end of next week on all OneWorld websites and relevant lists.
>
> Best regards,
> Branislava
>
> Branislava Milosevic
> OneWorld Radio Projects Manager
> OneWorld International
> 2nd Floor
> River House
> 143-145 Farringdon Road
> London
> EC1R 3AB
> t + 44 (0) 20 7239 1400 (ext. 207)
> f + 44 (0) 20 7833 3347
> www.oneworld.net/radio

ARTICLES: Digital camcorders valued as prizes (Hawaii - USA)

WHAT WORKS
Digital camcorders valued as prizes

By Treena Shapiro
Advertiser Education Writer

Last year, working on computers barely capable of handling their video editing software, students from Nanakuli High School's electronics media class took five first-place awards in 'Olelo Community Television's Youth Xchange educational video contest.

The awards Â? five digital camcorders Â? proved to be a boon for the program, which until this year had only two nearly obsolete cameras for the 60 students to share.

"That was a lifesaver," said James Taylor, an educational assistant for the class. One of the two old cameras has since broken down beyond repair, he said.

Saddled with an insufficient budget, the program has been able to succeed through federal grants and community partnerships.

Electronic Media coordinator Royden Apana said the students counter the shortage of equipment and supplies by doing public service announcements, educational videos or audio-visual equipment setup for businesses and agencies, such as the state Department of Health, the city Wastewater Management Division, the Queen Lili'uokalani Children's Center, Ko Olina Resort and Hawaiian Electric Co.

"In various ways we provide some kind of service and they purchase some kind of equipment for us," Apana said.

For example, the Queen Lili'uokalani Children's Center recently replaced the program's four computers with eMacs capable of running the editing software. The old computers were given to a school just beginning an electronic media program.

In addition to the award-winning music video "Love of My Life" on the dangers of the drug ecstasy, the students have produced public service announcements for the Office of Elections, an internship video for Ko Olina and a video for the Nanakuli homestead community.

The students also produce spots for the school's closed-circuit television and have a one-hour news program that airs on 'Olelo on Sunday nights.

Currently, students are updating HECO's educational videos, working toward a more current look and "also to put a little more entertaining twist for the stories," Apana said.

In addition to class work, Apana encourages his students to work on their own projects, perhaps for another class, or for personal use.

The "Love of My Life" video allowed rapper Kris Ancheta to produce a demo video he could bring to recording studios. "Everything was homegrown here," Apana said.

Ancheta has since been signed to a record label, as has Ujena Johnson, who also appeared and sang in the video.

Students are also encouraged to come back and work on projects even after they have completed the course. Some students produce DVDs of athletic highlights for college and scholarship applications, while others produce slideshows for friends and family.

James Pontin, 15, said he took the class on his friends' recommendations.

He likes the hands-on experience and the way the teachers let the students work independently. "They let you be free," he said.

Naturalee Puou, 16, has taken electronics media courses for more than 3Â? years. She now serves as one of the anchors for the school's news program.

"It's something that I really enjoy and I'm comfortable with," she said. "I plan to go to college and go for a career within this field."

Reach Treena Shapiro at tshapiro@honoluluadvertiser.com or 525-8014.

SOURCE: http://the.honoluluadvertiser.com/article/2004/Nov/18/ln/ln13p.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 18, 2004

NEWS / RESEARCH: The popular media influences youth most, study finds (Taiwan)

Published on TaipeiTimes - http://www.taipeitimes.com/News/biz/archives/2004/11/11/2003210635

The popular media influences youth most, study finds

By Jackie Lin
STAFF REPORTER
Thursday, Nov 11, 2004,Page 10

In view of the growing popularity of innovative communications media, manufacturers should consider adjusting their marketing strategies to better reach their targeted young customers, according to a report issued by ACNielsen Taiwan yesterday.

The survey shows that customers in the 18-to-24 age bracket tends to buy based on information from commercials or advertisements, with 41 percent of the respondents falling for celebrity-endorsed merchandise.

"Promoting products via TV, print and radio ads can effectively build up brand recognition with young people and stimulate their desire to place orders," said Doris Wong (é»?浩å??), executive director of the market researcher.

The survey represents integrated analyses from ACNiel-sen's media index and life index during the first six months this year, as well as information from 1,000 respondents polled last month.

Communication methods among young people have underwent a drastic change as the group is relying heavily on cellphones and Internet services, which shed some light on how businesses can present their commodities, especially recreational activities and high-tech products, Wong said.

Some major retailers have attempted to catch up with consumers' changing lifestyles when new technology is catching on quickly.

Jurene Hsiao (è?­å®?é?¯), public relations manager of the nation's largest hypermarket chain, Carrefour Taiwan, said as the younger generation closely follows the development of 3C products, especially mobile phones and digital cameras, the company circulates electronic flyers and cooperates with main consumer product retailers on Web sites to attract potential buyers' attention.

"We've met with enthusiastic response from students with this marketing strategy" although younger customers are not its main customer base, Hsiao said.

As for other age groups, Carrefour launches ads in different types of media to target its major customers aged between 28 and 45, and at the same time, offers free samples of foodstuffs in stores to lure members of the older generation.

Those distinctive strategies fall in line with ACNielsen's report.

Those distinctive strategies fall in line with ACNielsen's report, which shows that seniors above 50 years old prioritize functions and effects of the merchandise and they do not make purchases for the sake of free gifts or discounts.

The health and cosmetics retailer Watsons Taiwan is stepping up its ads placements on the Internet and sends short messages to target customers through mobile service carrier Far EasTone Communications Co (���信), public relations official Elvy Chou (��婷) said.

The celebrity effect is evident in promoting its products, Chou said.

â??As cosmetics are placed in an open-shelf environment, manufacturers tend to hire famous models for endorsement to win over customers' trust and boost its popularity,â?? she said.

For the aging population, she said giving away pamphlets detailing health-related information and presenting check-up activities in neighborhoods have proved effective in increasing sales of health food.

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS: 2004 International Academy/UNICEF Award will recognize best TV programming by children

2004 International Academy/UNICEF Award will recognize best TV programming by children

NEW YORK, 17 November 2004 Â? Every year at the annual International Emmy Awards Gala, the International Academy of Television Arts and Sciences and UNICEF present a special award to the broadcaster whose programming best captures the spirit of the International ChildrenÂ?s Day of Broadcasting (ICDB). 

The winner of the 2004 International Academy/UNICEF Award will be announced at the International Emmy Awards Gala in New York City on 22 November 2004.

The four finalists for the 2004 International Academy/UNICEF Award are: ATN Bangla of Bangladesh; BTV-8 of China; Nation Television of Kenya; and Lao National Television of the Lao PeopleÂ?s Democratic Republic. All of the finalists are broadcasters who have given a central role to children in their programming Â? with outstanding results.

How do they do it?  And what is their approach to working with children? Here are a few details about each finalist and what they did for ICDB in 2003.

Lao National Television produced and broadcast a special childrenÂ?s magazine programme with the goal of promoting girlsÂ? education in the country.  Hosted by youth presenter Sounita Phimmaso, the show included a music video encouraging Lao girls to go to school, as well as a documentary about Maylao, a girl in a remote northern community struggling to continue her education.

In Kenya, National TV created five hours of special programming with the theme Â?We can be HeroesÂ?. The programming included Â?Stolen MomentsÂ?, a story about the impact of HIV/AIDS on young people. It also featured Robin Oyugi, 11, who had the opportunity to meet his role model, a well-known local sports anchor.

With the cooperation of BTV-8, the Chinese office of Walt Disney Television International produced a special feature on a variety of topics, including environment, war, natural history, and the benefits and disadvantages of technological development. Ten young people were involved in the production, and had the opportunity to include their own drawings and stories.

ATN Bangla of Bangladesh gives adolescents the opportunity to produce a weekly 25-minute television programme called Aamra Korbo Joy (Â?We shall overcomeÂ?), which is broadcast on a private satellite channel. One of the weekly programmes, Amrao Pari (Â?We can beÂ?), featured the story of Abdul, 9, who saved the lives of hundreds by averting a train accident.  

About ICDB

The International ChildrenÂ?s Day of Broadcasting gives children and young people the chance to become directly involved with television Â? as reporters, presenters and producers of programmes that express their own dreams and concerns. ICDB is celebrated every December by countless children around the globe. This yearÂ?s Day is Sunday 12 December. Learn more.

SOURCE: http://www.unicef.org/videoaudio/video_24155.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 17, 2004

NEWS / AWARDS: Nominees for the OneMinutesJr Award 2004

14 films have been nominated for the OneMinutesJr Award 2004. The pre-selection was done by the BBC (UK) and SVT (Sweden), the jury for the final selection consists of three people: Two young filmmakers - Ellada Kiryakulova () from Azerbaijan & Bektour Sydykov () from Kyrgyzstan - and the Hungarian filmmaker Moldovanyi Ferenc.
 
The winners will be announced at the OneMinutesJr Award in Amsterdam, NL, on Sunday, November 21st, 2004 - here are the nominees with links to their films on www.theoneminutesjr.org:
 
 
CATEGORY "BEST OF THE WORLD"
 
- Carousel by Arpine Grigoriyan (Armenia)
 
- Chalk painting by Nariheh Daneghyan (Armenia)
 
- Mafiosi by Jom Samah & Julian Wolf (Holland)
 
- Blip! by Vilhelmina Szpiro (Sweden)
 
- Revolution by Mikael Bundsen (Sweden)
 
- Scars by Mariana Mirza  (Rep of Moldova)
 
- Lost communication by Eric Gustafsson (Sweden)
 
 
CATEGORY "INSIDE - OUT" (on social inclusion) 
     
- And you are the one who has the right to vote... by Sofia Pensar (Finland)
 
- Sleeping at the orphanage by Tatiana Panait (Romania)
 
- Bugs love by Vitalie Stasii (Moldova)
 
- Remember forever by Victoria Nikolenko (Kazakhstan)
 
- Opportunities by Catalin Lucal (Moldova)
 
- untitled by Vangel Kirilov Hristov (Bulgaria)
 
- Bad disease by Ayzada Jarybekova (Kyrgyzstan)
 
 
_______________________________________________

Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany

Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media

The YPMN is supported by UNICEF and hosted by the ECMC.

The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

EVENTS: Utopia Project Opens in Munich

SOURCE: ICAF email newsletter

SKETCHES -- November 2004, Volume 1
The International Child Art Foundation Newsletter

UTOPIA EXHIBITION OPENS IN MUNICH!
ICAF introduces children's utopias to the Utopia Station project.  Young artists from across the globe gathered in Munich to celebrate the exhibit openings at Haus der Kunst and the Odeonsplatz subway station.
http://www.icaf.org/news/newsfiles/200410280001.html

ART AND SPORTS IN A YELLOW HOUSE
The children at Yellow House, ICAF's Program Partner in Malaysia, are getting ready for the Arts Olympiad with some serious soccer.
http://www.icaf.org/resources/partners/malaysia/malaysia.html

MY CITY'S SCENES AND SOUNDS
UNESCO, one of ICAF's Educational Parters, has created an online forum for Young Digital Creators to share a vision of their city, employing digital sounds and images.  The website also offers instructions for teachers hoping to implement this project in the classroom.
http://portal.unesco.org/culture/admin/ev.php?URL_ID=18446&URL_DO=DO_TOPIC

WHAT'S NEW AT ICAF.ORG
Creative gifts for the Holiday season!  Purchase ChildArt magazine subscriptions or pick posters and lithographs for  nurseries, offices, and homes.  Check out the amazing greeting cards!
http://www.childartgallery.org

CREATING PEACE THROUGH ART AND SPORT
ICAF's Peace through Art & Sport is the lead article in the current issue of SchoolArts. One of the leading magazines for art teachers, the November 2004 issue of SchoolArts focuses on 'transformation' and includes an article written by Dr. Ashfaq Ishaq of ICAF.
http://www.davis-art.com/schoolarts/index.asp

ARTS OLYMPIAD LESSON PLAN ARRIVES
The Arts Olympiad Lesson Plan is now online!  Is your child participating?
U.S. Version - http://www.icaf.org/programs/artsolympiad/ao2004-2007/3rdao-lessonplan.pdf
International Version - http://www.icaf.org/programs/artsolympiad/ao2004-2007/3rdao-lessonplanintl.pdf

As part of Children's Charities of America, ICAF takes part in the Combined Federal Campaign under "Child Art Foundation, International" CFC # 2741. Please click here to make an online donation:
http://www.icaf.org/getinvolved/donate.html
--------------------------------------------------------------------

Rachel Lau - SKETCHES Editor
International Child Art Foundation
1350 Connecticut Ave, NW
Washington, DC 20036
202.530.1000 - phone
202.530.1080 - fax
www.icaf.org
media@icaf.org
 
 
 
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 16, 2004

PROJECTS: Youth arts: A blast of creativity

Youth arts: A blast of creativity
By - 17/11/04
Connexions Humber has joined with BBC Blast and other organisations to establish Creative Connexions. Charlotte Goddard finds out how this partnership approach is working in practice.

"I don't understand why everyone's not doing it," says Steve Kay, youth inclusion manager at Connexions Humber. "I couldn't speak about it in a more positive sense." Kay is not talking about sex, drugs, or rock'n'roll. Well, maybe the latter to some extent. He is talking about Creative Connexions, an arts-based programme set up in April with £205,000 from the European Social Fund.

Specialist team

Some of that money goes towards the salaries of five full-time team members: two drama workers, a film-maker, a visual artist and a music worker.

Other skills are bought in as and when they are needed. The benefits of that kind of team working, says Chris Dale, creative department officer for music at Creative Connexions, are that it enables the schemes to grow organically with the interests of the young people.

"We have just started a project at St Mary's College in Hull, working with young people who are disengaged from mainstream education," he says.

"We are working towards a performance, but it looks like we might also do a music video as that is something the young people have expressed an interest in. If something crops up like that we can get another member of the team involved, or buy someone else in - we is building up a team of regular people."

Dale says the young people he works with have diverse interests. One group of young men on his current project are into "old-fashioned rock music such as AC/DC", for example, and another is working on an R'n'B track, which just goes to show that youth workers should never make assumptions about what kind of music will be popular. Another project saw young people creating a graffiti wall.

Young people taking part in Creative Connexions projects are able to gain qualifications. The team is piloting the National Youth Arts Award, and one group, the Gypsyville Youth Theatre, has already won a silver award.

Creative Connexions targets young people over 16 who are not in education, employment or training and 13- to 16-year-olds who are at risk of becoming disengaged. One of the main partners is BBC Blast, an initiative that encourages teenagers to develop an interest in dance, film, art, writing and music.

It has the web site www.bbc.co.uk/ blast, which allows youth workers to download a tool kit of ideas for use in projects. The BBC initiative also runs regional activities, including a roadshow where the BBC Blast bus visits areas. Creative Connexions is currently developing a three-year strategy to co-ordinate with the strategy of BBC Blast.

Universal appeal

But the partnership doesn't stop there. Creative Connexions works with the local authority youth service and voluntary organisations in the region, as well as with Connexions advisers, schools, colleges and work-based learning providers. "Our team is working flat out, but even if we had 50 full-time workers we would still have enough to keep us busy," says Kay.

Creative Connexions has worked with 200 young people and it helps run events such as Creative Voice, which reached 1,500 young people over three days. The event was a partnership between Hull Youth Service, Hull City Arts, Connexions Humber, Hull Youth Council and BBC Blast. Young people performed and were involved in developing the event, including designing posters and attending press workshops.

"Arts projects were the only thing we found to offer universal appeal to all young people," says Kay.

THE AIMS OF CREATIVE CONNEXIONS

- To enable young people aged 13 to 19 to be confident in and explore their creative abilities

- To provide the opportunity to develop new and existing skills in the arts

- To provide access to professionals via the internet, print and phone

- To provide showcasing opportunities through TV, radio and online

- To develop the creative and performing arts as a tool for young people to influence service development and delivery

- To work in co-operation with existing youth arts practitioner and youth service networks

Source: Connexions Humber Business Improvement Plan 2004-05.

http://www.ypnmagazine.com/news/index.cfm?fuseaction=full_news&ID=5603

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

EVENTS: Nov 20, 2004 - Universal Children's Day

Universal Children's Day - Background

MORE LINKS: http://www.un.org/depts/dhl/children_day/

After the UN Convention on the Rights of the Child was adopted in 1989, the UN General Assembly recommended that all countries choose a day to promote children's welfare. Although observance of the day varies from country to country, the Government of Canada designated November 20th as National Child Day, to commemorate the day on which both the Declaration on the Rights of the Child (1959) and the Convention on the Rights of the Child (1989) were adopted.

The UN Convention on the Rights of the Child addresses the rights of children and youth under the age of 18. It recognizes their basic human rights and gives them additional rights to protect them from harm. The Convention's 54 articles cover everything from a child's right to be free from exploitation, to the right to his or her own opinion and the right to education, health care, and economic opportunity.

The adoption of the Convention on the Rights of the Child and the creation of Universal Children's Day reflects the growing recognition that children are important and valued members of society, now and in the future. Universal Children's Day celebrates children just for being themselves. It reminds us that children need love and respect to grow to their full potential. It is a day to listen to children, to marvel at their uniqueness and all they have to offer.

A key objective of Universal Children's Day is to increase awareness of the Convention on the Rights of the Child. Since its adoption by the United Nations, the Convention has been signed or ratified by more countries than any other international treaty. Over the past decade, the Convention has proven to be a valuable tool for promoting the rights of children everywhere around the world.

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS: ban on junk food advertising during children's television programming (UK)

Two articles on junk food and advertising to children:
 
 
Government to ban junk food ads despite Ofcom stance
Jennifer Whitehead, Brand Republic 08:45 15-11-2004
LONDON - The government looks set to propose a ban on junk food advertising during children's television programming, despite media watchdog Ofcom's finding that it will be ineffective in fighting obesity, which is the ban's main target.

Leaked reports of the health White Paper over the weekend suggest that the government will introduce a new code for television broadcasters to decide what foods can be advertised during children's programming.

Ofcom, as the broadcast watchdog, will be in charge of regulating the system, despite the fact that earlier this year it published a report saying that it did not support a ban because it would be "ineffective and disproportionate". Its research was based on interviews with 2,000 parents, teachers and nutritionists.

The government's White Paper will please pressure groups, parents and doctors, who have been campaigning for a ban, and long been critical of companies such as Walkers Crisps for using celebrities like Gary Lineker in their advertising.

According to reports, the new junk food ad ban will prevent ads for unhealthy foods from being shown until after 9pm. The Sunday Times said that companies will be given until 2007 to agree to voluntary restrictions, but that health secretary Dr John Reid will introduce legislation if this does not work.

The White Paper is reportedly going to propose a traffic-light system to denote what foods are healthy and what foods should only be seldom eaten or consumed in moderate quantities.

However, the scheme could end up being a voluntary one, although major supermarket chains Tesco, Sainsbury's and the Co-op are expected to adopt it.

The health White Paper is due to be published on Tuesday.
 
--------------------------------------------------------------

http://www.brandrepublic.com/mediabulletin/news_story.cfm?articleID=228068&Origin=MB15112004
 
Ad body attacks government plans to ban junk food ads
Sam Matthews, Brand Republic 13:30 15-11-2004
LONDON Â? The Advertising Association has hit back at the government's proposed plans to ban pre-watershed junk food advertising to children by calling it 'short-term, populist and disproportionate'.

Jeremy Preston, the director of AA's food advertising unit, said of the leaked reports of the government's White Paper that it would fail in its main aim of tackling obesity.

"A ban on pre-watershed television advertising for certain foods would be a short-term, populist and disproportionate response, which is unlikely to have much impact on the problem of obesity," Preston said.

He suggested that, with the ban, the government was tackling the problem in the wrong way.

"What people want in today's world is as much support and assistance from the government as possible to help them make the healthy choices, which will give them a better quality and prolong their life," he said.

Preston's claims back up culture secretary Tessa Jowell's and Ofcom chief executive Stephen Carter's view on the subject after research done in July concluded that food advertising had little impact on children's behaviour.

Jowell has openly said she would prefer to work with the food industry to promote healthier lifestyles rather than install an outright ban.

Carter, chief executive at Ofcom the media watchdog in charge of regulating the system, published a report saying that it did not support a ban because it would be "ineffective and disproportionate".

The government's White Paper to be published on Tuesday will please pressure groups, parents and doctors who have been campaigning for a ban, and long been critical of companies such as Walkers Crisps for using celebrities like Gary Lineker in their advertising.

According to reports, the new junk food ad ban will prevent ads for unhealthy foods being shown before 9pm. The Sunday Times said that companies will be given until 2007 to agree to voluntary restrictions, but that health secretary Dr John Reid will introduce legislation if this does not work.

ITV, which receives 70% of the cost of children's programming from advertising and 40% from food ads, is believed to be holding crisis talks about the future of funding its children's strand, CITV, if the government's plans are put in place.
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 15, 2004

ARTICLES: The latest in learning: video games

The latest in learning: video games


Seattle's Clearwater School is by no means conventional Â? it rarely has teacher-led classes, instead giving students control over their own learning.

But even the most free-thinking parents raise their eyebrows at one feature of the Lake City private academy: the video-game console. Kids can play fight games such as "Super Smash Bros. Melee," in which gangs of cartoon characters pummel one another. Or use computers to pose online as urban crimefighters in "City of Heroes," or as questing adventurers in "World of WarCraft."

Video games are not a break from school. They're an integral part of it.

"Our view is that video games are another tool for learning problem solving and critical thinking," says Stephanie Sarantos, a school co-founder and Ph.D. in educational psychology. "People may find this outrageous, but in a lot of ways video games are an intellectual activity."

Yes, some people will find it outrageous. Even more so because it might be true.

Surprisingly, some social scientists are finding that all this glassy-eyed finger twitching can be good for kids.

In a new book Â? "Got Game: How the Gamer Generation is Reshaping Business Forever" Â? California sociologist John Beck interviewed 2,500 young professionals, many weaned on video games. He found regular gamers were more creative, optimistic and even socially active than nongamers.

When they enter a virtual world, gamers routinely engage in activities any parent should covet: experimentation, risk-taking, strategizing, play-acting, sometimes meeting people around the globe.

"Within a game you are encouraged to go anywhere and try everything," Beck said. "If you fail, you just try again. In that sense it's really a dream learning environment."

Many parents Â? myself included Â? still worry that the games are too confining. How could they ever compare to, say, staging your own drama?

But some of the newer games are mind-expanding. In an online role-playing game called "Second Life," players actually construct the game world Â? its physical spaces, social orders, politics Â? as they play.

Beck also pooh-poohs the violence in many games, noting that youth crime rates have plummeted in the past decade as game use has soared.

Now, I don't see the benefit of kids playing "Super Smash Bros. Melee" in school, nor do I understand why many games are based on violence. But the medium is so interactive and powerful it ought to be incorporated into schools and workplaces. Why fight it? Let's face it Â? this is a classic generation gap. People my age and older are prejudiced Â? we see games as time-wasters at best, society-destroyers at worst.

I turned a corner on this with an honest reckoning of my own supposedly idyllic youth, which, it turns out, was heavy on pinball, BB-gun fights and "Hogan's Heroes" reruns.

Compared to that, even "Super Smash Bros. Melee" seems like time well spent.

Danny Westneat's column appears Wednesday and Friday. Reach him at 206-464-2086 or dwestneat@seattletimes.com.

SOURCE: http://seattletimes.nwsource.com/html/dannywestneat/2002088995_danny12.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS: Youth take matters into their own hands (USA)

LOCAL ACTION

Youth take matters into their own hands

''How about we use a Bunsen burner, baby? Start this fire."

That, I'm afraid, counts as a slick come-on line from Max, a gawky teen with a crush on his science teacher in ''Chemistry: A Kvetching Film." In this short comedy by Cambridge's Julian Joslin, poor Max is a mini-Woody Allen, trudging lovelorn through the Harvard Square snow, sneaking peeks at Cosmo Girl! magazine, and moaning to the camera: ''Look at me. I'm a white Jewish prep with a sweating problem. I'm a Paul Simon stuck in a world of Tupac and Biggie, bling bling and ice."

The amusing ''Chemistry" is one of 13 shorts screening Saturday in the ninth annual ''Do It Your Damn Self!! National Youth Video and Film Festival," presented by Cambridge's Community Art Center. In these dramas, documentaries, music videos, and public service announcements, the technical quality may veer, like the films' origins, all over the map, but the ambition is clear. The festival was started by teenagers from Cambridge's Area 4 who wanted their voices heard; they've since been joined by a chorus of aspiring young filmmakers.

''It was a step not just for ourselves but for youth worldwide," says Saquora Lowe-McLaurin, 26, who helped found the festival in 1996 as a member of the CAC's award-winning Teen Media Program and returns this year for the first time as festival coordinator. ''We thought we were being inappropriately portrayed in the media. We wanted to show that we were inner-city youth doing something positive."

This year's shorts come from as near as Lynn and as far away as Espanola, N.M. Standouts include ''Stalker/Stalker," a turn-the-tables drama with a message from Durham, N.C., and ''Elements," a funny collage about romance from the Youth Sounds Factory in Oakland, Calif. (Best line: ''I love y'all like I love hot chips" -- a West Coast treat, maybe?)

Screenings are at 7:30 and 9:30 p.m. at MIT's Bartos Theater, the Wiesner Building, 20 Ames St., Cambridge. A dessert reception with the young producers is at 9:15. For tickets, call 617-868-7100, ext. 15.

SLAVIC STORIES: The most famous Ukrainian film is Sergei Paradjanov's lyrical classic ''Shadows of Forgotten Ancestors" (1964) -- and if you've seen it, you were probably in a film class. But there's a lot more out there, and to prove it, the Institute of Contemporary Art is hosting a Ukrainian Film Festival Thursday through Nov. 21, accompanying the photography exhibit ''Boris Mikhailov: A Retrospective." ''Shadows" is here -- it still casts a long shadow, I guess -- along with Vyacheslav Krishtofovich's 1998 dark comedy ''A Friend of the Deceased," about a miserable translator who impulsively hires a hit man for himself and then has second thoughts, and Oles Sanin's lush folk tale ''Mamay," which receives its Boston premiere. For information, visit www.icaboston.org.

SHORT TAKES: Boston College filmmaker John Michalczyk is known for serious documentaries on issues of social justice, and his latest work, ''Killing Silence: Taking on the Mafia in Sicily," is no exception. The film looks at the reaction of citizens of Palermo, Sicily, after the Mafia killings of two leading prosecutors. ''Killing Silence" screens Thursday and Dec. 4 at the Museum of Fine Arts, with the director present. For information, visit www.mfa.org.

Fans of the lovely Erika Marozsan evidently can't get enough of her -- not in the drama ''Gloomy Sunday," in which Marozsan plays a 1930s Budapest restaurant hostess whom multiple men long for, and not in 33 cinemas across the country, where Rolf Schubel's film has become a long-running sensation. Today, in fact, marks its one-year anniversary at the West Newton Cinema. (According to distributor Menemsha Films, the record there is 68 weeks, for ''Cinema Paradiso.") To keep the ''Gloomy" feelings going (and learn screening times), call 617-964-6060.

Rebecca Ostriker can be reached at ostriker@globe.com. 

 
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS / AWARDS: Caribbean Media Awards For Jamaica

HBN, KINGSTON, Jamaica, Fri. Nov. 12: Officials of the Caribbean arm of the United Nations Population Fund will acknowledge media workers for reporting on adolescent sexual reproductive health and rights issues, in Jamaica next Friday.

The 2004 media awards is slated for the Jamaica Pegasus in Kingston on Friday, November 19 and cash prizes will be given to several Caribbean journalists in print, radio and television categories as well as the new Â?youthÂ? and Â?diasporaÂ? reporter categories.

The theme of the awards, which are co-produced by international non-profit organization Counterpart International, is Â?Caribbean Youth and HIV/AIDS: A Positive View.Â? Judges throughout the Caribbean and North America scored entries on such subjects such as curbing the spread of HIV/AIDS, combating early initiation of sexual activity, fostering behavioral change, promoting gender equality, sexual exploitation (including sex tourism) and the connections between population, poverty reduction and sustainable development, a statement from the group said.

Of the 35 million people living in the Caribbean, approximately eight million are between the ages of 10 and 24.


UNFPA will also support Counterpart International's inaugural CMExPress, a one-day version of the Caribbean Media Exchange on Sustainable Tourism (CMEx) series earlier the same day, which matches movers and shakers in the media fraternity with public and private sector hospitality industry stakeholders to discuss sustainable tourism and its linkages to other sectors of the Caribbean economy. Â? Hardbeatnews.com

SOURCE: http://www.hardbeatnews.com/newsdetails.php?aaad=2539
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 11, 2004

NEWS: Time Warner, Mediaset Launch Children's Channel

Time Warner, Mediaset Launch Children's Channel
Wed Nov 10, 2004 01:08 PM ET

By Rachel Sanderson

ROME (Reuters) - U.S. media giant Time Warner and Italy's Mediaset joined forces on Wednesday to launch a new children's TV channel aiming to attract an audience turned off by the half-naked dancing girls that feature on much Italian TV.

"We are offering a place where all the family can watch safe in the knowledge they are being protected," Jaime Ondarza, director of "Boing" channel, said at the launch.

Boing is the first new content channel launched specifically for Italy's nascent digital television network.

It aims to draw viewers with a 24-hour mix of cartoons and shows like "Superman" and "Mork and Mindy," putting it in direct competition with children's channels on News Corp's money-losing pay-TV satellite venture Sky Italia.

TV aimed specifically at the 0-14 year old age group is underdeveloped in Italy relative to Britain or France but channels have sprouted recently as public outcry mounts over the quality of Italian terrestrial TV which is dominated by Mediaset and state rival RAI .

Two of Italy's most watched family shows, 6-hour long variety marathons that go head to head on RAI and Mediaset, feature comedy sketches with bikini-clad dancers.

Boing Chairman Silvio Carini said the channel was aiming for 3 percent of Italy's digital TV audience, a market of 800,000 set-top boxes which is forecast to grow to 4 million by 2007.

Mediaset, Italy's leading private broadcaster, controlled by the family of Prime Minister Silvio Berlusconi, has plowed around 10 million euros into the venture and is aiming for breakeven in 2-3 years.

It is considering selling around six minutes of advertising space per hour, Carini said.

Jeff Kupsky, executive vice-president of Turner Broadcasting System Europe, the Time Warner unit involved in the joint venture, declined to say how much it had brought to the deal. But he said if the Italy venture were a success it could be replicated elsewhere in Europe's embryonic digital TV market.

"We want to make more channels, that is what we are interested in, and the first mover advantage is very important," he said.

SOURCE: http://www.reuters.com/newsArticle.jhtml?type=televisionNews&storyID=6775341

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEWS: Filmmakers document the plight of the world's children (SPAIN)

Filmmakers document the plight of the worldÂ?s children

MADRID, 11 November 2004 Â? Filmmakers Patricia Ferreira, Pere Joan Ventura, Chus Gutierrez, Javier Corcuera, and Javier Fesser have joined forces with UNICEF Spanish National Committee in speaking out for the children of the world.

The five filmmakers made a series of short films entitled Â?En el mundo a cada ratoÂ?. Each is contributing to UNICEF their time and effort - along with any future benefits generated from the films.

The films are based on real life stories of children living in India, Peru, Argentina, Senegal and Equatorial Guinea. Among the topics looked at are HIV/AIDS, child labour, malaria, and the rights for all children, boys and girls, to be able to attend school.

The vivid images are powerful reminders of why so much more work needs to be done in order to make the world a better place for all children.

El secreto mejor guardado tells the story of Ravi, an orphan who lives with his grandmother in Southern India. Ravi travels to a far off village to attend school; his own village rejects him in fear that Ravi may have AIDS.

Vicenta, a nurse working for a hospital in La vida efimera, learns about devastating diseases - such as malaria - that are taking the lives of children in Equatorial Guinea.

Three-year-old Maca tells us why sheÂ?s happy in Las siete alcantarillas. She soon discovers her view of reality doesnÂ?t quite correspond to that of the spectator. She lives in a slum surrounded by garbage; her older brother steals to meet the familyÂ?s needs.

In Hijas de belen, an aging woman named Eusebia recalls her broken dream of going to school to learn read and write. History repeats itself as the children in her town are also deprived of education because they have to work in order to support their families.

Binta y la granidea introduces us to seven-year-old Binta, who lives in a village in southern Senegal where she goes to school. Her cousin Soda doesnÂ?t have the same luck. A play produced by children teaches SodaÂ?s father a lesson on why education is important.

The filmmakers recently presented their work at the San Sebastián Film Festival. Premieres for the 5 films will be held on 19 November in theatres across Spain.

SOURCE: http://www.unicef.org/about/partnerships/index_24077.html

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

NEW MEDIA: BBC creates teen drama to appear online

BBC creates teen drama to appear online

Owen Gibson
Thursday November 11, 2004


The BBC has signed up bestselling author Matt Beaumont to create its first drama to appear exclusively online and on mobile phones.

Jamie Kane is aimed at a teenage audience and aims to involve them in the search for a missing popstar.

Commissioned by the BBC's interactive drama and entertainment department, the project a cross between a computer game and a television drama.

Beaumont, who has written the script for Jamie Kane, is the the author of E: A Novel, an acerbic take on life in an advertising agency written in the form of a succession of emails. It prompted much debate in the ad industry about the inspiration for the various fictional characters.

The video drama will be available online and hints about the location of the missing popstar will be hidden on fictional websites.

Extra clues will be available by playing online games and signing up for daily email and mobile phone alerts that will also tie in with the plot.

Video footage on a fake fansite for the missing star will include mock Top of the Pops performances and media interviews with Jamie Kane.

The ambitious project is the BBC's latest attempts to create interactive drama that blurs the lines between television and the web.

The corporation has previously commissioned special online episodes of Dr Who for the internet, while short-lived Tony Garnett dotcom drama Attachments had an independent website supposedly produced by the characters in the show.

Rob Cooper, the head of the interactive drama and entertainment department, said the project was its most ambitious to date.

"Jamie Kane marks a real difference in the way BBC.co.uk is approaching content," he said.

"We're moving away from static sites to create a rich audiovisual experience for our users, which should keep them on their toes as they search for Jamie Kane."

The BBC new media chief, Ashley Highfield, told MediaGuardian.co.uk earlier this week that the corporation's online service was entering a new era that would involve far more audiovisual content.

The strategy follows the publication of Philip Graf's government-commissioned report into BBC Online, which said the division should concentrate on areas that best served the public interest.

Mr Highfield also promised a new approach to working with the independent sector in an effort to meet the 25% quota for external content production imposed on the department by the BBC governors.

Much of the content will be produced by external agencies as the corporation attempts to counter accusations that it has been too insular.

The mini-games and hidden puzzles for Jamie Kane will be produced by interactive agency Preloaded, while internet chat specialist Creative Virtual will create artificial intelligence conversations with other "fans" looking for the star.

· To contact the MediaGuardian news desk email editor@mediaguardian.co.uk or phone 020 7239 9857

· If you are writing a comment for publication, please mark clearly "for publication".

SOURCE: http://media.guardian.co.uk/newmedia/story/0,7496,1348010,00.html


_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email:
cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 10, 2004

NEWS: 15 Nov Online Lesson for life - Leçon de Vie en ligne - Lección de vida en línea (from UNICEF VOY)

SOURCE: VOY email list


Join the online Lesson for Life from 15 - 26 November on Voices of Youth!
http://www.unicef.org/voy/

Voices of Youth (http://www.unicef.org/voy/) is hosting its own Lesson for
Life online! From 15 - 26 November young people from around the world will
come together to identify how all children can be agents of change and help
stop the spread of HIV and AIDS.

Hosted by policy makers and professionals of international organizations
from around the world, the ideas put forth in the first week will be turned
into concrete plans of action in the second week.

The e-discussion is just one of the many events leading up to the Global
Movement for Children's World AIDS Day 'Lesson for Life'. On 1 December
millions of children and young people around the world will take part in a
'lesson' on HIV, AIDS and the effect of the crisis on children.

This Voices of Youth e-discussion is your opportunity to share your ideas
on how to end this crisis, and turn those ideas into action.

To make change and become involved in the only cyber lesson for life go to
Voices of Youth at http://www.unicef.org/voy/ and click on "Online lesson
for life"!

For more information about the Lesson for Life, log onto the Global
Movement for Children website at: http://www.gmfc.org/.

(français)

Participez en ligne à la Leçon de Vie, du 15 au 26 novembre sur La Voix des
jeunes http://www.unicef.org/voy/french/

La Voix des jeunes (http://www.unicef.org/voy/french) accueille sa propre
Leçon de Vie en ligne! Du 15 au 26 novembre, des jeunes du monde entier
chercheront ensemble la façon de faire des enfants des agents du changement
et d'enrayer la propagation du VIH/SIDA.

Dans le cadre de ce débat, organisé par des responsables de politiques et
des membres du personnel d'organisations internationales du monde entier,
les idées présentées lors de la première semaine seront transformées en
plans d'action concrets la deuxième.

Cette discussion électronique n'est que l'un des nombreux événements
organisés avant la Leçon de Vie, du Mouvement mondial en faveur des enfants,
à l'occasion de la Journée mondiale du SIDA. Le 1er décembre, des millions
d'enfants et de jeunes du monde entier participeront à une « leçon » sur le
VIH, le SIDA et les effets de la pandémie sur les enfants.

Cette discussion de La Voix des jeunes vous offre l'occasion de donner vos
idées sur la façon de mettre fin à cette crise et de transformer ces idées
en action.

Pour faire bouger les choses et prendre part à cette « cyberleçon » de vie
unique en son genre, consultez le site de La Voix des jeunes
http://www.unicef.org/voy/french et cliquez sur « Leçon de Vie en ligne » !

Pour de plus amples informations sur la Leçon de Vie, consultez le site
Internet du Mouvement mondial en faveur des enfants à :
http://www.gmfc.org/lessonforlifefr.htm

(español)

¡Participa en la Lección de vida en línea desde el 15 hasta el 26 de
noviembre en La Juventud Opina! http://www.unicef.org/voy/spanish

¡La Juventud Opina (http://www.unicef.org/voy/spanish) organiza su propia
Lección de vida en línea! Del 15 al 26 de noviembre, los jóvenes de todo el
mundo se unirán para definir la manera en que todos los niños y las niñas
pueden convertirse en agentes para el cambio y contribuir a impedir la
propagación del VIH y el SIDA.

Coordinadas por dirigentes y profesionales de varias organizaciones
internacionales de todo el mundo, las ideas propuestas durante la primera
semana se convertirán en planes concretos de acción durante la segunda
semana.

El debate electrónico es una de las numerosas actividades preparatorias de
la "Lección de vida" del Movimiento Mundial en favor de la Infancia en el
Día Mundial del SIDA. El 1 de diciembre, millones de niños, niñas y jóvenes
de todo el mundo participarán en la lección acerca del VIH, el SIDA y las
repercusiones de la crisis sobre la infancia.

Este debate electrónico de La Juventud Opina te ofrece la oportunidad de
compartir tus ideas para poner fin a la crisis y convertir estas ideas en
medidas prácticas.

¡Para cambiar la situación y participar en la única Lección de vida en el
ciberespacio, visita La Juventud Opina en http://www.unicef.org/voy/spanish
y haz clic en "Lección de vida en línea"!

Si deseas obtener más información sobre la Lección de vida, visita el sitio
web del Movimiento Mundial en favor de la Infancia en:
http://www.gmfc.org/lessonforlifesp.htm.



_______________________________________________

Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany

Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL: www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media

The YPMN is supported by UNICEF and hosted by the ECMC.

The opinions and views expressed in this message and/or articles and
websites linked to from this message do not necessarily reflect the views of
the United Nations or its agencies.
____________________________________________

November 5, 2004

NEWS: Institute Warns `Buzzploitation of Minors' a Dangerous Trend

Institute Warns `Buzzploitation of Minors' a Dangerous Trend

MINNEAPOLIS--(BUSINESS WIRE)--Nov. 2, 2004--Responding to the growing threat of Internet marketing firms employing minors in sophisticated "word of mouth" campaigns, the National Institute on Media and the Family has launched an investigation into whether some marketers are exploiting children and even exposing them to online predators.

Dr. David Walsh, President of the National Institute on Media and the Family, said Institute researchers have found some marketing firms that are exposing young people to adult-oriented concepts and products, exploiting minors as an inexpensive and unsuspecting distribution force, and creating forums that are easy targets for child predators.

"The Institute has already expressed concerns over Internet advertising to children," Dr. Walsh said. "Now we're finding some marketers are pushing the envelope even further. Not only are they advertising to kids, they're using minors to promote their products to unsuspecting peers."

"We want parents to pay attention to what their children are doing on the Internet. But it is also critical that marketing firms that recruit minors to work on these campaigns recognize the danger in their practices," Dr. Walsh continued.

In an effort to capitalize on the lucrative youth consumer market, Dr. Walsh explained some marketing firms have created enticing web sites that attract minors by offering free gifts and the opportunity to meet new friends if they register as "secret agents." Once enrolled, the firms send them free products to promote online and offline among friends, family and peers.

"They prey upon the desire of young people to be hip and part of the in-crowd. After they've signed up, they enter a new world of slick marketing - one that could be navigated easily by most discerning adults, but not by minors," Dr. Walsh said.

The Institute's initial research suggests some of the buzz marketers campaigns violate important guidelines initiated by the Children's Advertising Review Unit (CARU), Dr. Walsh said. Because young people have limited capacity for evaluating the credibility of information they receive from advertisements, the guidelines were developed by the National Advertising Review Council (NARC) to encourage marketers to approach the youth demographic with a sense of responsibility and an awareness of the vulnerability of the population to exploitation and manipulation. Specifically, CARU states certain "techniques which may be appropriate for adult-directed advertising may mislead children if used in child-directed advertising."

"Many marketers know the Internet can be a vital tool to reach potential customers, especially through viral marketing," said Steve Collins, President and CEO of Martin/Williams, a Minneapolis-based advertising firm. "As the demand for this kind of tool grows, so should the demand for greater control and responsibility when it comes to abiding by standards and guidelines of the Children's Advertising Review Unit. Marketers need to take an active role in policing their Internet practices, especially when it comes to steering children toward inappropriate messages and products."

Through its on-going investigation, the Institute has found:

By recruiting minors for online viral advertising campaigns, marketers sometimes expose them and their friends to sexually explicit information, age inappropriate language, and sexual images. When these recruitment efforts involve a centralized website, on which young people can communicate with each other, marketers open the virtual door to predatory adults who use the Internet to stalk children, especially young girls, Dr. Walsh said.

Upon registering as a 13-year-old girl at soulkool.com, a researcher received a welcoming email from the buzz marketer who suggested one could "get to know and flirt with other visitors" at the web site. Once in the chat room, the "13-year-old girl" was first approached by another individual who used the screen name "sexbomb3000."

As part of another marketing campaign, the administrators of Procter & Gamble's Tremor.com sent a "13-year-old boy" an email with the subject "Got Girls?" and explained, "Tremor and Old Spice need you to create the first-ever Red Zone Girls calendar. That means loads of gorgeous girls for you to check out and vote on." The Old Spice Red Zone body wash campaign has included racy television advertising images and adult concepts.

"These are frightening examples of marketers exposing young people to age-inappropriate adult concepts while also providing forums that could attract child predators," Dr. Walsh says.

Dr. Walsh said unethical tactics employed by these firms inherently teach minors lessons of deception and dishonesty. For instance, a code of conduct published on the web site of BzzAgent.com explains their "agents" should use "discretion" and decide "carefully" whether to reveal to friends and family what they are doing. "Some people might think it's cool. Other people might not understand," the web site advises.

Generally, the marketing firms' websites do not require parental consent or proof of age. In fact, on at least one of the sites, simply changing the year of one's birth date allows an individual who first registers as a 10-year-old to re-register as an older child. The "Girls Intelligence Agency" reportedly recruits girls as young as eight to participate in their "slumber party" and obtain promotional giveaways, Dr. Walsh said.

Even when parental consent is solicited, it is likely parents agree to their children participating in general campaigns, but are not given an opportunity to approve specific promotions. And the parents of children approached by friends acting on behalf of marketers are never given a chance to provide or withhold their consent.

"These practices would never be accepted by most Americans if they knew what was going on," Dr. Walsh noted. "We are going to expose these practices to the light of day."

For interviews with Dr. David Walsh regarding the "buzzploitation of minors," please see contact information above.

The National Institute on Media and the Family is an independent non-partisan, non-sectarian, nonprofit organization. Its MediaWise movement is being adopted in communities throughout the country to maximize the benefits and minimize the harm of media on children. For more information, please visit www.mediafamily.org on the Web or call 1-888-672-5437.

SOURCE: http://home.businesswire.com/portal/site/google/index.jsp?ndmViewId=news_view&newsId=20041102005471&newsLang=en

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 3, 2004

RESOURCES: Production Guidelines for reporting "bad news" to children

Production Guidelines for reporting "bad news" to children

Some producers have developed guidelines for reporting "bad news" to children. Here are a few selected examples of such production guidelines*:
  1. Simplify and be obvious.
    • Use direct explanations and clear graphics to make complex issues more understandable.
    • It may help to state the obvious, such as "Saddam's missiles can't reach Brasil". Abstract concepts like distance have no meaning to young children.
  2. Recognise children's fears and try not to be over emotional.
    • Do not show frightening or distressing pictures.
    • Do not use dramatised texts or music.
    • Offer children ways to cope with fears.
    • Be selective; not all stories are relevant for your target audience.
  3. Be fair, get the tone right and avoid speculation.
    • In our multi-cultural societies, there may be members of both sides to a conflict in your audience. For example, in Britain, there is a concern to represent the Muslim community fairly, as it does not have "one voice or one view." To do so avoid phrases such as "British Moslems say..."
    • Use re-assuring script lines: "It is important to remember that child killings are really unusual which is why Holly's and Jessica's deaths received massive attention from the public and press."
  4. Include accounts of attempts to find "solutions/resolutions" to the conflict.
  5. Offer your audience opportunities to be involved:
    • Ask for and read out a range of viewers' questions and comments from different communities (so children can express their feelings and fears and also not feel isolated with their emotions).
    • Read and address their e-mails - on the air and in a websiteÂ? perhaps involving experts.
    • Provide for a forum for discussion of the news on your website.

* Selected from the discussion with producers that took place on June 8, 2004 during the Prix Jeunesse International and from guidelines developed by BBC/Newsround, ZDF/KI.KA/ logo!.

SOURCE: http://www.br-online.de/jugend/izi/guidelines/reminders.htm

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

INTERVIEWS: Ted Baehr tells parents to use common sense and cognitive development theory.

Rubber Sharks and Real Kids
Ted Baehr tells parents to use common sense and cognitive development theory.
Interview by David Neff | posted 11/01/2004 9:30 a.m.

In the late 1970s, when Movieguide editor-in-chief Ted Baehr was director of the TV Center at City University of New York, he was immersed in studies of how the mass media influence children at different stages of cognitive development. Now a widely quoted media critic, Baehr continues to be concerned for the impact of movies on children.

Baehr, who grew up as the child of two Hollywood actors, is also concerned about the transformation of the entertainment culture from within. He has just completed writing So You Want to Be in Pictures?, which he told CT editor David Neff contains "a positive portrait of a lot of good people doing a lot of good things in Hollywood." The book will be published in January by Broadman & Holman.

In September the Rand Corporation released a study that showed teens who view the most sexually related material on television are twice as likely to engage in intercourse as those who watch the least. What do you make of it?

It's not surprising for people who have read the studies of the influence of media on everything from buying products to violence. Of course, not every youth has a propensity to copy sexual activity, although sexual scripts of behavior seem to be the most likely to be copied.

The rising concern today is not because there's a return to Victorian prudishness, but because of the increase in sexually transmitted diseases. Another study showed that 50 percent of sexually active kids have a sexually transmitted disease by the time they're 24 or 25 years old.

And how does the incidence of watching more sex-oriented scenes relate to the difference between cable programming and traditional broadcast?

Earlier studies point out that suggestion, innuendo, and jokes are as provocative, if not more so, than explicit sex. Dr. Victor Cline found that prisoners who had committed sex crimes were turned off by explicit depictions of sex, and I would imagine the same is true of youth. They wanted innuendo, jokes, and the "come hither" that suggests the other person wanted the sex. For susceptible kids in the adolescent stage of cognitive development, titillation is actually a much more powerful draw than the overt stuff that everybody gets so angry about.

Physically, teens are maturing sexually. How does this relate to their cognitive development?

Although teens have reached the point where they've got their raging hormones and adult physical attributes, their brain development and cognitive development do not end until their late 20s.

Teens experience an extreme change in their biology while they have not yet learned to worry about the other person's concerns. Male teenagers especially think the other person wants what they want. They'll often take advantage of the other person because of that. The older you get, the more likely you are to respect and understand the other person's position.

When I had teenagers at home, I was more worried about the subtle messages they would pick up from PG-13 movies than about some of the more explicit images they might see in some R movies.

The rating system does not help at all in this regard because, first, the rating system has refused to have standards; second, it refuses to incorporate a lot of what we know about child psychology; and third, what you really need is responsibility and not ratings. Responsibility means that the old motion picture code, which people laugh at, said you couldn't show sex or violence in such a way that kids would want to emulate it. That did not mean that you couldn't have sex or violence-it was broadly interpreted in some cases-but it was certainly better than what we have now.

Why should adults try to see media through children's eyes?

Media affect children in ways completely different from adults. When one parent was home with the children all the time, you would intuit this. But now you have to look at the thousands of cognitive learning studies and other research.

In each period children have unique differences. For instance, Professor Joanne Cantor of the University of Wisconsin has shown that if you're in the imagination stage (ages 2-7), you can look at a movie like The Hulk or Jaws, and you can be irreparably afraid. She interviewed graduating seniors at the University of Wisconsin. Ninety percent of them said they were scared of some movie they saw during that period of their childhood. However, as soon as they turned 7 or 8 and entered the next stage of development, if they saw the same movie, they'd say, Hey, this is just a rubber shark!

Some critics turn up their noses at Movieguide's counting obscene words or sexual references in a movie. But cognitive development studies make it seem important for parents to know those numbers.

Some people say you shouldn't do this form of criticism. But the University of California at Santa Barbara also does quantitative criticism. They believe that the more violence or the more obscene language there is for kids to copy, the more likely they will become active scripts of behavior. At UCLA, on the other hand, they make the point that it's contextual. Good criticism, I believe, is a little bit of both.

The violence in movies like Amistad and Schindler's List and The Passion of the Christ is completely different. It's not the type of violence that people would be attracted to emulating.

A 5-year-old boy said to me, "You know what I like about the movies? The weapons."

There are differences between girls and boys. Girls have much less susceptibility to the violence in movies. They tend to be frightened by it. It's usually little boys with bright minds and hearts and with ADD who are most affected by the violence they see.

People ask, If kids pick up scripts of behavior from Kill Bill II, why isn't society more violent? Different people have different propensities. About 7 percent to 11 percent might want to copy violence. Eighty-seven percent of the kids do not want to copy violence. Probably a third of the kids are desensitized to it, and maybe a third are scared of it. About 30 percent are susceptible to the sex they see. And interestingly enough, 60 percent would be susceptible to the alcohol and the smoking.

I debated a very intelligent friend of mine on ABC. She was saying that it just doesn't matter. But I said, If violence only affects 7 percent to 11 percent, that's significant. We need to have enough compassion to say if media affect kids negatively, we need to care enough to help kids not be negatively affected.

In your book The Media-Wise Family, you say that young children don't really understand a dramatic story with a moral ending. What about Christian videos that are designed to deliver a moral message to small children?

I'm glad Christians are producing things for that age group because the world does the same thing. But it's the least-effective way of teaching anybody moral values.

Kids start to pick up on the moral around the middle of the imagination stage, which is 5 to 7. For younger kids, it's a problem of following the story line. Pediatricians and child psychologists say that children under 3 should not be watching TV. They're better off if they're doing hand-eye coordination and crawling around the floor and hugging mom.

The other day while driving I had to swerve to avoid hitting somebody who was changing lanes while watching a dvd player on her dashboard. How can we convince people that life is not really about entertainment?

There are several steps to media wisdom. First, learn to understand the influence of the media in your life. Second, understand how people look at the media at different stages of development. Third, understand how the media work-what makes movies different from books, and so forth. Fourth, learn what your deeply held beliefs and values are and how they apply to what you're watching. Once you start engaging the media and understanding the influence of the media, then you tame the beast.

Ages & Stages for Media-Wise Families

The Imagination Stage - ages 2 to 7*
Has a very active imagination, often confusing fact and fiction. Has difficulty integrating the elements of a story and drawing a conclusion. Protect from frightening or mesmerizing images.

The Concrete Operational Stage - ages 7 to 11
Judges characters by their attractiveness and by their motives. Is more likely to imitate movie violence if it goes unpunished or is presented as necessary.

The Reflection Stage - ages 12 to 15
Abstract thought gains strength. Teach early teens to analyze plot, character, setting, and to draw out and evaluate a movie's premise. Still unable to foresee the consequences of their actions. May imitate characters' behavior.

The Relationship Stage - later teens
Accepts that others are different. Learns to relate to others by accepting their differences. Conceptualizes the consequences of actions and takes steps to reduce risks. Teach them to recognize the ways media try to manipulate them.

   *All ages are approximate. Adapted from The Media-Wise Family by Ted Baehr (Chariot Victor, 1998).
 
_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________

November 2, 2004

NEWS: Children's TV: call for local budget

By Gary Grattan
ggrattan@belfasttelegraph.co.uk

30 October 2004

More resources should be made available by the BBC to Northern Ireland production companies to make children's programmes, a University of Ulster academic has urged.

Professor Máire Messenger Davies, who conducted a review of the Corporation's digital's channels for children, CBEEBIES and CBBC, for the Department of Culture, Media and Sport, said one of the requirements of the channels was that "a proportion of programme production must be allocated to companies based outside London".

This provision was followed in the case of BBC Scotland "which is a significant provider of new programming" with around 30% of spend allocated to the region for innovative pre-school children's programmes such as Balamory and Zingalong.

But Professor Messenger Davies, Director of UU's Centre for Media Research, added: "But Northern Ireland and Wales do not appear to be equally represented in production resources."

Her review, part of a wider probe into the BBC's digital television output, conducted for the DCMS by Professor Patrick Barwise of the London Business School, generally found that the children's channels followed their remit and were of consistent high quality.

However, she noted that the Northern Ireland children she interviewed were disappointed that the TV shows they most enjoyed rarely, if ever, included the province in their listings of things to do.

She also recommended that the BBC should consider a CBBC 'Gold' channel, where high quality archive material such as dramas and costume dramas could be shown.

The archive programmes were funded by the licence fee and should be freely accessible to the public who paid for them.

Professor Messenger Davies paid tribute to the BBC's role in stimulating innovation, creativity and training in the industry, but especially in children's programme broadcasting. The Corporation's track record goes back to the 1950s.

She recommended more links with training programmes and educational resources in further and higher education, such as provision of dedicated scholarships for people who want to specialise in children's TV production.

 

SOURCE: http://www.belfasttelegraph.co.uk/news/story.jsp?story=577578

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
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NEWS: Media literacy crucial in 21st century

Tao Hongkai, a professor with Central China Normal University in Wuhan, capital of Central China's Hubei Province, has become an idol for many local parents whose children have spent too much time in chat rooms, surfing the Internet, and playing online games.

With decades of experience in high school education in the United States, the professor reportedly had a nine-hour talk with high school student Qu Jing in July and persuaded her to break free of her "Internet-addiction."

In the following months, hundreds of parents in Wuhan and neighbouring cities came to see him and asked for help with their children's Internet issues.

Now with the support of local authorities, Tao and 300 trained young teachers and psychiatrists have opened up a psychological counselling service for Internet-addicted children in the city.

As for Qu, her story has a happy ending.

However, "what has happened to young Internet surfers in Wuhan is also common in most Chinese cities," said Cai Guofen, dean of the International Communications College of China Communication University.

She said in this information and media saturated society, many young children, unsophisticated in social knowledge and experience and lacking self-restraint, are susceptible to the negative effects of mass media - television and the Internet in particular.

Cai made the comments at the first International Conference on Media Education and Media Literacy in China, which ended last week in Beijing.

Media literacy means the ability to properly access, analyze, evaluate and communicate information in a variety of format including print and non-print.

Attended by about 100 media researchers and educators from the UK, Canada, Hong Kong, Taiwan, and Chinese mainland, the four-day event addressed a couple of pressing issues about media education in China.

"Mass media, in the forms of radio, TV, video games, or the Internet, have now reached almost every Chinese household," said professor Bu Wei with the Chinese Academy of Social Sciences at the conference.

"Mass media have become an integral part of the lives of contemporary Chinese, including young kids."

Official statistics suggest that China now has more than 1,000 radio stations, 2,200 newspapers, 3,000 TV stations, 8,000 magazines and 371,600 Chinese language websites based on the mainland.

The number of Internet users, or so-called "netizens," topped 87 million by July this year after the country was linked by the Internet to the outside world.

Among these netizens, about 80 per cent are aged between 14 and 35.

The Internet community in China has multiplied 140 times in more than six years, soaring to its current level from just 620,000 users in 1997, according to the China Internet Network Information Centre's (CNNIC) latest report.

The number had hit 79.5 million by the end of last year.

Powerful new media

China's web savvy population surpassed Japan's at the end of 2002, becoming the second largest in the world after the United States.

Although large in size, the current number represents just 6.6 per cent of the country's total population, leaving room for vast growth.

Between December 2003 and January 2004, professors Zhang Kai and Wu Minsu with China Communication University conducted a survey of 1,000 Chinese aged between 10 and 45 in Beijing and Shanghai on their media awareness.

The survey shows that reading a book, watching TV and surfing the Internet are the top three pastimes of the people surveyed.

Also, about 60 per cent of those surveyed admitted that they are now deeply dependent on mass media and "could not stand to live a life without TV and the Internet."

News reports about the bad behaviour of young children who have been influenced by violence or pornography in TV programmes or in web pages, or addicted to online entertainment, have been abundant in recent years.

Some angry parents were even quoted by local media as saying the Internet "is an evil force, no less dangerous than drugs to young kids."

Some media experts go even further to claim that mass media in China are now helping to marginalize Chinese culture and undermine traditional values.

"The mass media ought to shoulder the responsibility of spreading knowledge about traditional Chinese culture among young Chinese audiences and nurturing their passion for Chinese history," said Liu Yongli, a media researcher with the Department of Journalism of Hebei Normal University.

However, "it is a disturbing fact to note that media coverage about traditional Chinese culture and values, no matter in the forms of print media, TV news, radio news, or news on the Internet, is diminishing," he said.

By contrast, there is excessive coverage of celebrity scandals and pop culture trends, especially those introduced from Western countries.

Meanwhile, TV series now mock historical events and figures, and focus on sports and entertainment trivia.

Research has also pointed to the fact that very few Chinese TV programmes for young children deal with traditional Chinese culture.

Most of them instead are either designed for extra-curricular purposes or purely for entertainment.

Media scholars also criticized some TV commercials and Internet ads for touting luxurious lifestyles, bearing inaccurate product information, or carrying messages with potentially obscene and violent ramifications.

Negative role of mass media

Sun Lijun, a professor with Beijing Film Academy, cited Western influences via mass media as a major reason for the declining standards of Chinese cartoon films.

He said that, in recent years, the production volume of cartoons and animated films and TV series made by younger generations of Chinese artists has been on the rise.

However, very few of them are of high quality in market appeal or artistic merit.

A major reason is "the lack of creative and independent thinking," he said.

Whenever a relatively successful homegrown cartoon, such as "The Squash Brothers" (Hu Lu Xiong Di) and "The Legend of Ne Zha" (Ne Zha Chuan Qi), is broadcast, it inevitably leads to copycats.

The most fatal defect is that most Chinese cartoons draw too heavily on both the image and story telling devices of their Japanese and American counterparts.

Responding to criticism and calls for protecting minors, law enforcement officers have, since July, launched a nationwide campaign to "uproot harmful information on the Internet."

A large number of Internet cafes were shut down because they failed to keep minors off their premises.

At least 700 Chinese websites containing cyber violence and pornographic content have been closed down or fined, with 329 people being arrested.

Each Chinese website now has an alert button which is used for Internet surfers to inform to the webmaster of any "harmful information" on the website.

In early August, the Shanghai People's Congress drafted a new regulation to better protect local youth from a variety of threats.

The regulation forbids under-18s from going to Internet cafes and orders institutions with Internet services to prevent young people from accessing harmful material.

Severe fines will be imposed on Internet cafes that allow minors to use their services.

No dance halls, Internet cafes, video game parlours, adult product shops or agricultural produce markets will be allowed to open within 200 metres of any school, states the draft regulation.

Local authorities in many parts of the country are drafting similar regulations.

However, the most effective way to protect younger generations of Chinese from the negative impacts of mass media should be media education rather than government-driven "campaigns" or "crackdowns," experts said at the international conference.

They agreed there's an urgent need to improve the media literacy of millions of young Chinese.

Significance of media education

"The media play a bigger role in Chinese households as a disseminator of social values, a vital source of information and knowledge outside school, a teacher of social education, and a leisure and entertainment tool," said Bu Wei.

The penetration of mass media into Chinese households has also changed the pattern of inter-family communication and education.

Easier access to a free flow of information and knowledge can boost family democracy and young kids tend to be "empowered by mass media," she said.

Against this backdrop, conflicts and generation gaps crop up.

"Only those parents or grandparents who are media literate can better handle the changing relationships with young kids," she said.

However, the fact is that "media education in China is in its infancy. Academic research into media literacy for Chinese audiences still lags far behind many other countries and regions of the world," said professor Cai Guofen.

Only in 1997 did China to have its first work on media education, a paper written by Chinese media scholar Bu Wei entitled "On the Significance, Content and Methodology of Media Education."

Since then, not much headway has been made in the field.

Even worse, no officially designated courses on media literacy have been included in the curriculum of any educational institution across the country.

And for quite some time, media literacy education has been interpreted as "teaching with multimedia materials" either in the classroom, or in long distance online education programmes.

A survey by a team led by Zhang Xuebo, a media researcher and doctoral candidate of Education Technology at South China Normal University, has found that sporadic and spontaneous teaching about the media exists in some schools.

Seventy per cent of the 46 surveyed teachers showed a strong interest in "receiving more media literacy education and then opening related courses for their students."

Early this year, Zhang and his team conducted a sample survey on media literacy awareness in 46 high schools in 21 cities in South China's Guangdong Province.

The poll also indicated that teachers at schools and universities in other parts of the country have voluntarily conducted experiments in media education in the form of extra-curricular lectures and online homework.

But the absence of a clear government policy on media education, heavy workloads under the current curriculum framework for both teachers and students, and the shortage of funds for schools and even universities, have severely hindered the development of media literacy education at the grass-roots level.

"Media literacy education, or simply media education, has become a global trend. Despite differences in social realities and local cultures, successful experiences from other nations and regions in this field can be useful to educators on the Chinese mainland," said Yang Guanghui, a media researcher with China Communication University.

At the conference, media educators and scholars shared successful experiences and lessons in media education from other countries and regions.

Although no widely accepted academic definition of "media literacy" has been set down, media education made headway in many classrooms in various parts of the world.

And yet in many major educational jurisdictions it is still struggling to be recognized as a valid part of an overall and basic education.

In some countries it has been scaled back or eliminated from the curricula all together, Lee Rother, a media expert from Canada, said at the conference.

Worldwide trends

The earliest form of media education began in Germany in the 17th century. From the 1920s, modern media education began in the UK while the popularity of cinema was on the rise.

In the 1960s, media literacy education for the UK's younger generation was officially put into the basic education framework. In the 1980s and 1990s, media education became a regular course or was integrated into other courses for high school students in Japan, Singapore, Taiwan and Hong Kong.

However, on the Chinese mainland, no media education programme has been included in the curricula of high schools or universities.

With the advent of the new century, the concept of mass media has been extended to include a wide range of issues.

They include the expansion of media conglomerates, the impact of the Internet on society, and the relationship between the media and gender, democracy, social development, pop culture, globalization, and vanishing ethnic cultures.

The task for media education has also expanded to include not only media users' access to media, analytical and critical viewing of media, but also "media construction," and "media representation."

Western media researchers at the conference pointed out that media production is a very useful way of improving media literacy.

Students can explore questions about accuracy and bias by being asked to produce contrasting representations of an institution or an area that they are familiar with.

"Encouraging students to produce their own representations of social issues, in photos and short films for example, and reflect on the ways in which audiences respond to them, is often a much better way of addressing the complexity of debates about stereotyping and about 'positive images' and 'negative images' in the mass media," said Wendy Earle, a media education expert from the UK.

According to David Buckingham, a renowned media scholar from the UK, "critical thinking" and "healthy self-esteem" are the key components of media literacy education.

In media education, teachers and researchers should not portray mass media as something totally negative.

Instead, they should respect youngsters' intelligence and accept the pleasure they get from their interaction with the media.

They should "acknowledge that the media have a powerful and amazing influence that can be used for positive and healthy ends," said David Buckingham.

(China Daily 10/30/2004 page3)

 

SOURCE: http://www.chinadaily.com.cn/english/doc/2004-10/30/content_387017.htm

_______________________________________________
 
Chris Schuepp
Young People's Media Network - Coordinator
c/o ecmc (European Centre for Media Competence)
Bergstrasse 8 / 10th floor
D-45770 Marl
Germany
 
Tel: +49 2365 502480
Mobile: +49 176 23107083
Fax: +49 12 125 125 21981
Email: cschuepp@unicef.org
URL:  www.unicef.org/magic
Mailing list: http://groups.yahoo.com/group/youthful-media
 
The YPMN is supported by UNICEF and hosted by the ECMC.
 
The opinions and views expressed in this message and/or articles and websites linked to from this message do not necessarily reflect the views of the United Nations or its agencies.
____________________________________________